Old and new : the experience of the Brazil Architecture Office in intervention programs in historical buildings and sites.
Reaching near 30 years of activity, Brazil Architecture establishes a work path among top state-of-the-art architectural Brazilian producers. Back tracking the architects’ progress has shown us that early projects fell under FAU’s current ideology during their student years. As new references yielde...
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Universidad Católica de Colombia
2010
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| Online dostop: | https://revistadearquitectura.ucatolica.edu.co/article/view/756 |
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oai:editorial.ucatolica.edu.co:article-756 |
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ojs |
| institution |
Universidad Católica de Colombia |
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por |
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Online |
| author |
Viceconti Nahas, Patricia |
| spellingShingle |
Viceconti Nahas, Patricia Old and new : the experience of the Brazil Architecture Office in intervention programs in historical buildings and sites. |
| author_facet |
Viceconti Nahas, Patricia |
| author_sort |
Viceconti Nahas, Patricia |
| title |
Old and new : the experience of the Brazil Architecture Office in intervention programs in historical buildings and sites. |
| title_short |
Old and new : the experience of the Brazil Architecture Office in intervention programs in historical buildings and sites. |
| title_full |
Old and new : the experience of the Brazil Architecture Office in intervention programs in historical buildings and sites. |
| title_fullStr |
Old and new : the experience of the Brazil Architecture Office in intervention programs in historical buildings and sites. |
| title_full_unstemmed |
Old and new : the experience of the Brazil Architecture Office in intervention programs in historical buildings and sites. |
| title_sort |
old and new : the experience of the brazil architecture office in intervention programs in historical buildings and sites. |
| description |
Reaching near 30 years of activity, Brazil Architecture establishes a work path among top state-of-the-art architectural Brazilian producers. Back tracking the architects’ progress has shown us that early projects fell under FAU’s current ideology during their student years. As new references yielded ideas and time was passing by Brazil Architecture kept on leading its own character and trends into the architectonic language. The importance of programs involving architectonic and historic site interventions are a highlight among the office’s history, as 40 projects, from almost 200, bring into discussion matters of memory and contemporaneity plus the relations between the new and the old. The counterpart aspect added the conviviality of the new together with the old shall be the motto for the whole production being built, from learning at the Pompeia Commerce Social Service (Serviço Social do Comércio – Sesc Pompéia, São Paulo, Brazil), then consolidated throughout the Rodin Museum and finally reaching maturity by the building of the Bread Museum. As they are still relatively young, it nevertheless points towards new chapters yet to be written in future years. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2010 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/756 |
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1709645505865187328 |
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oai:editorial.ucatolica.edu.co:article-7562021-03-17T04:21:20Z Old and new : the experience of the Brazil Architecture Office in intervention programs in historical buildings and sites. Lo viejo y lo nuevo : la experiencia de la oficina Brasil Arquitectura, en los programas de intervención en edificios y sitios históricos. O novo e o velho : a experiência do escritório Brasil Arquitetura nos programas de intervenção em edifícios e sítios históricos. Viceconti Nahas, Patricia brazilian architecture contemporary architecture historic building interventions memory rehabilitation arquitectura brasileña arquitectura contemporánea intervenciones en sitios históricos memoria rehabilitación arquitetura brasileira arquitetura contemporânea intervenções em edifícios históricos memória reabilitação Reaching near 30 years of activity, Brazil Architecture establishes a work path among top state-of-the-art architectural Brazilian producers. Back tracking the architects’ progress has shown us that early projects fell under FAU’s current ideology during their student years. As new references yielded ideas and time was passing by Brazil Architecture kept on leading its own character and trends into the architectonic language. The importance of programs involving architectonic and historic site interventions are a highlight among the office’s history, as 40 projects, from almost 200, bring into discussion matters of memory and contemporaneity plus the relations between the new and the old. The counterpart aspect added the conviviality of the new together with the old shall be the motto for the whole production being built, from learning at the Pompeia Commerce Social Service (Serviço Social do Comércio – Sesc Pompéia, São Paulo, Brazil), then consolidated throughout the Rodin Museum and finally reaching maturity by the building of the Bread Museum. As they are still relatively young, it nevertheless points towards new chapters yet to be written in future years. La trayectoria trazada por Brasil Arquitectura a lo largo de cerca de treinta años de actuación pone la obra de esa oficina en un lugar destacado en la producción arquitectónica brasileña actual. La revisión del camino de los arquitectos nos muestra que los primeros proyectos se quedaban bajo el ideario difundido por la FAU en los tiempos en los que eran estudiantes. Con el pasar de los años, y con la asimilación de nuevas referencias, Brasil Arquitetura siguió construyendo un lenguaje arquitectónico propio. La importancia de los programas que involucran la intervención en el patrimonio histórico y arquitectónico se observa en la evolución de la oficina, pues, de los cerca de 200 proyectos realizados, aproximadamente cuarenta son los que traen a discusión las cuestiones de memoria y contemporaneidad, además de la relación entre nuevo y viejo. La postura de contraposición y convivencia de lo antiguo con lo nuevo debe ser el mote de toda una producción que se viene construyendo desde la enseñanza en el Servicio Social del Comercio Pompéia (SESC), consolidándose con el Museo Rodin y, por siguiente, logrando experiencia con la obra del Museo del Pan. Aunque la oficina es relativamente joven, todo lleva a creer que faltan más capítulos aún por escribir en los años venideros. A trajetória traçada pelo Brasil Arquitetura ao longo dos quase 30 anos de atuação insere a obra do escritório com relativo destaque na produção arquitetônica brasileira atual. A revisão do percurso dos arquitetos nos mostra que os primeiros projetos estão presos ao ideário propagado na FAU no momento em que eram estudantes. Com o decorrer do tempo e após a assimilação de novas referências, o Brasil Arquitetura vai construindo uma linguagem arquitetônica própria. A importância dos programas que envolvem a intervenção no patrimônio histórico e arquitetônico na evolução do escritório salta aos olhos, pois, de quase 200 projetos realizados, cerca de 40 são projetos que colocam em discussão as questões de memória e contemporaneidade e a relação do novo e do velho. A postura de contraposição e convivência do antigo com o novo será o mote de toda uma produção que vem sendo construída desde o aprendizado no Serviço Social do Comércio (Sesc) Pompéia, consolidando-se com o Museu Rodin e atingindo a maturidade com a obra do Museu do Pão. Como são relativamente jovens, tudo leva a crer que outros capítulos ainda serão escritos nos anos vindouros. Universidad Católica de Colombia 2010-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistadearquitectura.ucatolica.edu.co/article/view/756 Revista de Arquitectura; Vol. 12 No. 1 (2010): January - December; 58-67 Revista de Arquitectura (Bogotá); Vol. 12 Núm. 1 (2010): Enero - diciembre; 58-67 Revista de Arquitectura; Vol. 12 No. 1 (2010): Enero - diciembre; 58-67 Revista de Arquitectura; v. 12 n. 1 (2010): Janeiro - dezembro; 58-67 2357-626X 1657-0308 por https://revistadearquitectura.ucatolica.edu.co/article/view/756/786 Derechos de autor 2010 Patricia Viceconti Nahas info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |