Pictures at an exhibition : a promenade architectural through the work of Eduardo de Almeida.
This paper aims to provide a descriptive, analytical, and reflective approach to the work of Brazilian architect Eduardo de Almeida. The method of this approach is a promenade through 54 years of work, following an interpretive walk Almeida proposed in his last lecture in São Paulo...
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| स्वरूप: | Online |
| भाषा: | spa |
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Universidad Católica de Colombia
2017
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| ऑनलाइन पहुंच: | https://revistadearquitectura.ucatolica.edu.co/article/view/78 |
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oai:editorial.ucatolica.edu.co:article-78 |
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Universidad Católica de Colombia |
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spa |
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Online |
| author |
Vázquez-Ramos, Fernando Guillermo |
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Vázquez-Ramos, Fernando Guillermo Pictures at an exhibition : a promenade architectural through the work of Eduardo de Almeida. |
| author_facet |
Vázquez-Ramos, Fernando Guillermo |
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Vázquez-Ramos, Fernando Guillermo |
| title |
Pictures at an exhibition : a promenade architectural through the work of Eduardo de Almeida. |
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Pictures at an exhibition : a promenade architectural through the work of Eduardo de Almeida. |
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Pictures at an exhibition : a promenade architectural through the work of Eduardo de Almeida. |
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Pictures at an exhibition : a promenade architectural through the work of Eduardo de Almeida. |
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Pictures at an exhibition : a promenade architectural through the work of Eduardo de Almeida. |
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pictures at an exhibition : a promenade architectural through the work of eduardo de almeida. |
| description |
This paper aims to provide a descriptive, analytical, and reflective approach to the work of Brazilian architect Eduardo de Almeida. The method of this approach is a promenade through 54 years of work, following an interpretive walk Almeida proposed in his last lecture in São Paulo, in 2014. Visions of the creator and the critic are intertwined here, based on interpreting works and ideas. The focal points of the text highlight some key features of the oeuvre of the architect: rigor, rationality, tectonic and modular thinking, sensitivity, and discretion. These elements define, as well as determinate, the results of the discussed projects. Although for methodological reasons we do not intend to reach any conclusion, this promenade demonstrates that the creative work developed by Almeida was the result of a constant overlapping of clarifying layers of rationality and analysis of his own architectural practice, which, determined by the profession, helped to build the architect's position. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2017 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/78 |
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1709645499372404736 |
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oai:editorial.ucatolica.edu.co:article-782020-07-24T18:00:58Z Pictures at an exhibition : a promenade architectural through the work of Eduardo de Almeida. Cuadros de una exposición : promenade architectural por la obra de Eduardo de Almeida. Quadros de uma exposição : promenade architectural pela obra de Eduardo de Almeida. Vázquez-Ramos, Fernando Guillermo architecture education architectural design project design architects architecture arquitectura enseñanza de la arquitectura diseño arquitectónico diseño de proyecto arquitect arquiteto arquitetura desenho arquitetônico desenho de projeto ensino da arquitetura This paper aims to provide a descriptive, analytical, and reflective approach to the work of Brazilian architect Eduardo de Almeida. The method of this approach is a promenade through 54 years of work, following an interpretive walk Almeida proposed in his last lecture in São Paulo, in 2014. Visions of the creator and the critic are intertwined here, based on interpreting works and ideas. The focal points of the text highlight some key features of the oeuvre of the architect: rigor, rationality, tectonic and modular thinking, sensitivity, and discretion. These elements define, as well as determinate, the results of the discussed projects. Although for methodological reasons we do not intend to reach any conclusion, this promenade demonstrates that the creative work developed by Almeida was the result of a constant overlapping of clarifying layers of rationality and analysis of his own architectural practice, which, determined by the profession, helped to build the architect's position. El objetivo del artículo es proporcionar una aproximación descriptiva, analítica y reflexiva al trabajo del arquitecto brasileño Eduardo de Almeida. El método de aproximación es una promenade por sus 54 años de obras, siguiendo un paseo interpretativo que Almeida propuso en la conferencia que el arquitecto dio en 2014 realizada en São Paulo. Se combinan aquí la visión del creador y la del crítico, a partir de la interpretación de obra e ideas. Los puntos centrales del trabajo ponen en evidencia algunos rasgos fundamentales de la producción del arquitecto: rigor, racionalidad, pensamiento tectónico y modular, sensibilidad y discreción. Estos elementos condicionan, al mismo tiempo que determinan, los resultados de los proyectos discutidos. Aunque por razones metodológicas no llegamos a ninguna conclusión, la promenade evidenció que el trabajo de creación desarrollado por Almeida fue producto de una constante superposición esclarecedora de imágenes de racionalidad y de análisis sobre su propia práctica arquitectónica que, determinada por el oficio, fue construyendo la postura del arquitecto. O objetivo deste artigo é proporcionar uma aproximação descritiva, analítica e reflexiva ao trabalho do arquiteto brasileiro Eduardo de Almeida. O método de aproximação é uma promenade por seus 54 anos de obras, seguindo um passeio interpretativo que Almeida propôs em sua última conferência, realizada em São Paulo em 2014. Combinam-se aqui a visão do criador e ado crítico, a partir da interpretação de obra e ideias. Os pontos centrais do trabalho evidenciam alguns traços fundamentais da produção do arquiteto: rigor, racionalidade, pensamento tectónico e modular, sensibilidade e discrição. Esses elementos condicionam, ao mesmo tempo que determinam, os resultados dos projetos discutidos. Embora por razões metodológicas não cheguemos a nenhuma conclusão, a promenade demonstrou que o trabalho de criação desenvolvido por Almeida foi produto de uma constante superposição esclarecedora de capas de racionalidade e de análises sobre sua própria prática arquitetônica que, determinada pelo ofício, foi construindo o posicionamento do arquiteto. Universidad Católica de Colombia 2017-09-06 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html application/pdf application/epub+zip application/xml image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg https://revistadearquitectura.ucatolica.edu.co/article/view/78 10.14718/RevArq.2017.19.2.78 Revista de Arquitectura; Vol. 19 No. 2 (2017): July - December; 28-43 Revista de Arquitectura (Bogotá); Vol. 19 Núm. 2 (2017): Julio - diciembre; 28-43 Revista de Arquitectura; Vol. 19 No. 2 (2017): Julio - diciembre; 28-43 Revista de Arquitectura; v. 19 n. 2 (2017): Julho - dezembro; 28-43 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/78/1671 https://revistadearquitectura.ucatolica.edu.co/article/view/78/pdf_FerVaz https://revistadearquitectura.ucatolica.edu.co/article/view/78/1892 https://revistadearquitectura.ucatolica.edu.co/article/view/78/1953 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2720 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2721 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2722 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2723 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2724 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2725 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2726 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2727 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2728 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2729 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2730 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2731 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2732 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2733 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2734 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2735 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2736 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2737 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2738 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2739 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2740 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2741 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2742 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2743 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2744 https://revistadearquitectura.ucatolica.edu.co/article/view/78/2745 Derechos de autor 2017 Fernando Guillermo Vázquez-Ramos info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |