The socio symbolic construction in 1 and 7.
In the search of cultural manifestations of the city, we have centered our interest in the importance of the fiesta as socio-symbolic construction and as an instrument that allows us to observe the cultural movements that are given to the interior of the city to identify the diverse forms of sociFac...
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Universidad Católica de Colombia
2007
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Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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oai:editorial.ucatolica.edu.co:article-7982021-03-18T16:11:19Z The socio symbolic construction in 1 and 7. La construcción socio simbólica en 1 y 7 arquitectura. Forero La Rotta, Augusto Gutiérrez Martínez, Jorge Flórez Millán, Luis Alvaro Ángel Peña, John Anderson culture city identity symbols representations ciudad identidad símbolos representaciones cultura In the search of cultural manifestations of the city, we have centered our interest in the importance of the fiesta as socio-symbolic construction and as an instrument that allows us to observe the cultural movements that are given to the interior of the city to identify the diverse forms of sociFaculty there. For this the city is analyzed historically in its characteristic elements, the festive calendar and the space of the city that act as a natural scenario. Bogotá is politically divided in 20 boroughs and two of them are of our interest: the Borough 1 Usaquén and the Borough 7 Bosa. Therefore, to understand the fiesta as cultural expression implies the reconstruction of the festive calendar first in the study boroughs and the revision of its territorial dimension, its urban fabric and its public space. This way, the objective of the research contributes to the recognition and valuation of the cultural and patrimonial diversity - very constituent of the identity and of the citizenship - and to the understanding of the diverse relationships between the community and the public space. Therefore we find in the fiesta a form of cultural mobility that manifests in facts that can also be denominated monuments, but with the quality of being more alive than ever and that they are the prime expression of the urban life itself. En la búsqueda de manifestaciones culturales de la ciudad, hemos centrado nuestro interés en la importancia de la fiesta como construcción socio-simbólica y como instrumento que nos permite observar los movimientos culturales que se dan al interior de la ciudad para identificar allí las diversas formas de sociabilidad. Para ello se analiza históricamente la fiesta y sus elementos característicos, el calendario festivo y el espacio, que tiene como escenario natural la ciudad. Bogotá se encuentra políticamente dividida en 20 localidades y son de nuestro interés dos de ellas: la localidad 1, Usaquén y la localidad 7, Bosa. Por lo tanto, entender la fiesta como expresión cultural implica primero la reconstrucción del calendario festivo en las localidades de estudio y la revisión de la dimensión territorial de las mismas, de su tejido urbano y de su espacio público. Así, el objeto de la investigación contribuye al reconocimiento y valoración de la diversidad cultural y patrimonial -bien constitutivo de la identidad y de la ciudadanía- y a la comprensión de las diversas relaciones entre la comunidad y el espacio público. Por lo tanto encontramos en la fiesta una forma de movilidad cultural que se manifiesta en hechos que también pueden ser denominados monumentos, pero con la cualidad de estar más vivos que nunca y que son la última expresión de la vida misma. Universidad Católica de Colombia 2007-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistadearquitectura.ucatolica.edu.co/article/view/798 Revista de Arquitectura; Vol. 9 No. 1 (2007): January - December; 64-72 Revista de Arquitectura (Bogotá); Vol. 9 Núm. 1 (2007): Enero - diciembre; 64-72 Revista de Arquitectura; Vol. 9 No. 1 (2007): Enero - diciembre; 64-72 Revista de Arquitectura; v. 9 n. 1 (2007): Janeiro - dezembro; 64-72 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/798/828 Derechos de autor 2007 Augusto Forero La Rotta, Jorge Gutiérrez Martínez, Luis Alvaro Flórez Millán, John Anderson Ángel Peña info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Colombia |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Forero La Rotta, Augusto Gutiérrez Martínez, Jorge Flórez Millán, Luis Alvaro Ángel Peña, John Anderson |
| spellingShingle |
Forero La Rotta, Augusto Gutiérrez Martínez, Jorge Flórez Millán, Luis Alvaro Ángel Peña, John Anderson The socio symbolic construction in 1 and 7. |
| author_facet |
Forero La Rotta, Augusto Gutiérrez Martínez, Jorge Flórez Millán, Luis Alvaro Ángel Peña, John Anderson |
| author_sort |
Forero La Rotta, Augusto |
| title |
The socio symbolic construction in 1 and 7. |
| title_short |
The socio symbolic construction in 1 and 7. |
| title_full |
The socio symbolic construction in 1 and 7. |
| title_fullStr |
The socio symbolic construction in 1 and 7. |
| title_full_unstemmed |
The socio symbolic construction in 1 and 7. |
| title_sort |
socio symbolic construction in 1 and 7. |
| description |
In the search of cultural manifestations of the city, we have centered our interest in the importance of the fiesta as socio-symbolic construction and as an instrument that allows us to observe the cultural movements that are given to the interior of the city to identify the diverse forms of sociFaculty there. For this the city is analyzed historically in its characteristic elements, the festive calendar and the space of the city that act as a natural scenario. Bogotá is politically divided in 20 boroughs and two of them are of our interest: the Borough 1 Usaquén and the Borough 7 Bosa. Therefore, to understand the fiesta as cultural expression implies the reconstruction of the festive calendar first in the study boroughs and the revision of its territorial dimension, its urban fabric and its public space. This way, the objective of the research contributes to the recognition and valuation of the cultural and patrimonial diversity - very constituent of the identity and of the citizenship - and to the understanding of the diverse relationships between the community and the public space. Therefore we find in the fiesta a form of cultural mobility that manifests in facts that can also be denominated monuments, but with the quality of being more alive than ever and that they are the prime expression of the urban life itself. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2007 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/798 |
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