Dematerialized platform in the Farnsworth house : a modern stereotomic operation.
Decomposing the Farnsworth house through its absolute elements reveals the essence of the architecture of Mies van der Rohe, showing that each device has its own universe, which, when arranged in a complete entity, achieves the compactness of a piece of universal art. Here the house is analyzed thro...
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Universidad Católica de Colombia
2018
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oai:editorial.ucatolica.edu.co:article-912020-07-24T18:22:45Z Dematerialized platform in the Farnsworth house : a modern stereotomic operation. Plataforma desmaterializada en la casa Farnsworth : operación moderna estereotómica. Plataforma desmaterializada na casa Farnsworth : operação moderna estereotômica. Valencia, Juan Fernando architectural design landscape design Mies van der Rohe landscape composition composición diseño arquitectónico diseño del paisaje Mies van der Rohe paisaje composição desenho arquitetônico desenho de paisagem Mies van der Rohe paisagem Decomposing the Farnsworth house through its absolute elements reveals the essence of the architecture of Mies van der Rohe, showing that each device has its own universe, which, when arranged in a complete entity, achieves the compactness of a piece of universal art. Here the house is analyzed through one of its most innovative devices, which evidences the lightness conferred to it by being separated from the natural floor. This is an operation that emphasizes the abstraction of a fairly recurrent device in his architecture, creating a new floor plan by erecting his buildings on podiums or platforms. This analysis deepens the study of the elements that make up this dematerialized podium based on Mies' Baukunst, a look that has found answers in a panorama of primary sources that reveal Mies' method of "building with art." Descomponer la casa Farnsworth en sus elementos absolutos revela la esencia de la arquitectura de Mies van der Rohe y deja en evidencia que cada dispositivo posee un universo propio, que cuando se ordena en una entidad mayor, alcanza la compacidad de una pieza de arte universal. La casa es analizada a través de uno de sus dispositivos más novedosos, que evidencia la levedad que le confiere el hecho de separarse del piso natural. Esta es una operación que acentúa la abstracción de un dispositivo bastante recurrente en su arquitectura al crear un nuevo plano de piso generado al levantar sus edificios sobre podios o plataformas. Este análisis profundiza en el estudio de los elementos que conforman este podio desmaterializado desde el Baukunst miesiano, el cual representa una mirada profunda que encontró respuestas en un panorama de fuentes primarias que develan el "construir con arte" de Mies. Descompor a casa Farnsworth em seus elementos absolutos revela a essência da arquitetura de Mies van der Rohe e evidencia que cada dispositivo possui um universo próprio, que, quando se ordena numa entidade maior, atinge a compacidade de uma peça de arte universal. A casa é analisada através de um dos dispositivos mais novos, que mostra a leveza que lhe confere o fato de separar-se do piso natural. Esta é uma operação que acentua a abstração de um dispositivo bastante recorrente em sua arquitetura ao criar um plano de piso gerado ao levantar seus edifícios sobre pódios ou plataformas. Esta análise aprofunda no estudo dos elementos que conformam esse pódio desmaterializado a partir do Baukunst miesiano, o qual representa um olhar profundo que encontrou respostas num panorama de fontes primárias que revelam o "construir com arte" de Mies. Universidad Católica de Colombia 2018-03-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html application/pdf application/xml https://revistadearquitectura.ucatolica.edu.co/article/view/91 10.14718/RevArq.2018.20.1.91 Revista de Arquitectura; Vol. 20 No. 1 (2018): January - June; 53-61 Revista de Arquitectura (Bogotá); Vol. 20 Núm. 1 (2018): Enero - junio; 53-61 Revista de Arquitectura; Vol. 20 No. 1 (2018): Enero - junio; 53-61 Revista de Arquitectura; v. 20 n. 1 (2018): Janeiro - junho; 53-61 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/91/1764 https://revistadearquitectura.ucatolica.edu.co/article/view/91/1874 https://revistadearquitectura.ucatolica.edu.co/article/view/91/2207 Derechos de autor 2018 Juan Fernando Valencia info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Colombia |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Valencia, Juan Fernando |
| spellingShingle |
Valencia, Juan Fernando Dematerialized platform in the Farnsworth house : a modern stereotomic operation. |
| author_facet |
Valencia, Juan Fernando |
| author_sort |
Valencia, Juan Fernando |
| title |
Dematerialized platform in the Farnsworth house : a modern stereotomic operation. |
| title_short |
Dematerialized platform in the Farnsworth house : a modern stereotomic operation. |
| title_full |
Dematerialized platform in the Farnsworth house : a modern stereotomic operation. |
| title_fullStr |
Dematerialized platform in the Farnsworth house : a modern stereotomic operation. |
| title_full_unstemmed |
Dematerialized platform in the Farnsworth house : a modern stereotomic operation. |
| title_sort |
dematerialized platform in the farnsworth house : a modern stereotomic operation. |
| description |
Decomposing the Farnsworth house through its absolute elements reveals the essence of the architecture of Mies van der Rohe, showing that each device has its own universe, which, when arranged in a complete entity, achieves the compactness of a piece of universal art. Here the house is analyzed through one of its most innovative devices, which evidences the lightness conferred to it by being separated from the natural floor. This is an operation that emphasizes the abstraction of a fairly recurrent device in his architecture, creating a new floor plan by erecting his buildings on podiums or platforms. This analysis deepens the study of the elements that make up this dematerialized podium based on Mies' Baukunst, a look that has found answers in a panorama of primary sources that reveal Mies' method of "building with art." |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2018 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/91 |
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