Diseño, Artesanía y Estética
This paper arises from an investigative process in which it was wanted to understand the symbolic forms developed in the job of carving, which requested, at a first stage, a process of approach and recognition to the crafstman as the center of the qualitative analysis of the systems of the stories o...
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Universidad Católica de Pereira
2011
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| גישה מקוונת: | https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/480 |
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oai:editorial.ucp.edu.co:article-480 |
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oai:editorial.ucp.edu.co:article-4802016-08-24T14:41:22Z Diseño, Artesanía y Estética Pérez Cardona, Carmen Adriana; jorge.escobar@ucp.edu.co Crafts, aesthetic, identity, job, crafts object. Artesanía, estética, identidad, oficio, objeto artesanal. This paper arises from an investigative process in which it was wanted to understand the symbolic forms developed in the job of carving, which requested, at a first stage, a process of approach and recognition to the crafstman as the center of the qualitative analysis of the systems of the stories of their life. Also, in a second place to know the form of the job through records that talk about the regional crafts process and its products related to the social-cultural contexts which finally condition and determine the features of the aesthetic craft object. It is proposed in this paper, the analysis of the craving, and the aesthetic forms identified in the object done by the craftsmen of Santa Rosa de Cabal, to know the forms that characterize the object, as a product, to discover the dynamics of creation, the traditions and identities that remain in time and how through the contemporary aesthetic forms the composer forms can be read. To do this, in a first stage, a general characterization of the crafts job is developed; in a second stage the aesthetic categories of the crafts are presented; and finally the relational cast that evidence the type of objects found. Este artículo, surge de un proceso investigativo en el cual se buscó comprender las formas simbólicas desarrolladas en el oficio de la talla en madera, lo cual demandó, en primera instancia, un proceso de acercamiento y reconocimiento a los artesanos como epicentro del análisis cualitativo, de la sistematización de sus historias de vida. En segunda instancia, conocer la forma del oficio por medio de registros que dan cuenta del proceso artesanal regional, y sus producciones en relación con los contextos socioculturales, quienes finalmente condicionan y determinan las características estéticas del objeto artesanal.Se propone, entonces con este escrito, el análisis del oficio artesanal “la talla en madera”, y de las manifestaciones estéticas, identificadas en el objeto elaborado por los artesanos de Santa Rosa de Cabal, para conocer las formas actuales que dan características y particularidades al objeto, como producto, para develar las dinámicas de creación, las tradiciones e identidades que permanecen en el tiempo y cómo a través de las estéticas contemporáneas se leen las formas compositivas. Para ello, se desarrolla en un primer momento una caracterización general del oficio artesanal; luego se presentan las categorizaciones estéticas de la artesanía; y finalmente, se expone la matriz relacional que evidencian las tipologías de objetos encontrados. Universidad Católica de Pereira Universidad Católica de Pereira Universidad Católica de Pereira 2011-01-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/480 10.31908/22159444.480 Arquetipo; Núm. 1 (May. - Oct. 2010); 73 - 82 2215-9444 spa https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/480/448 Copyright (c) 2017 Arquetipo https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Pereira |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Pérez Cardona, Carmen Adriana; jorge.escobar@ucp.edu.co |
| spellingShingle |
Pérez Cardona, Carmen Adriana; jorge.escobar@ucp.edu.co Diseño, Artesanía y Estética |
| author_facet |
Pérez Cardona, Carmen Adriana; jorge.escobar@ucp.edu.co |
| author_sort |
Pérez Cardona, Carmen Adriana; jorge.escobar@ucp.edu.co |
| title |
Diseño, Artesanía y Estética |
| title_short |
Diseño, Artesanía y Estética |
| title_full |
Diseño, Artesanía y Estética |
| title_fullStr |
Diseño, Artesanía y Estética |
| title_full_unstemmed |
Diseño, Artesanía y Estética |
| title_sort |
diseño, artesanía y estética |
| description |
This paper arises from an investigative process in which it was wanted to understand the symbolic forms developed in the job of carving, which requested, at a first stage, a process of approach and recognition to the crafstman as the center of the qualitative analysis of the systems of the stories of their life. Also, in a second place to know the form of the job through records that talk about the regional crafts process and its products related to the social-cultural contexts which finally condition and determine the features of the aesthetic craft object. It is proposed in this paper, the analysis of the craving, and the aesthetic forms identified in the object done by the craftsmen of Santa Rosa de Cabal, to know the forms that characterize the object, as a product, to discover the dynamics of creation, the traditions and identities that remain in time and how through the contemporary aesthetic forms the composer forms can be read. To do this, in a first stage, a general characterization of the crafts job is developed; in a second stage the aesthetic categories of the crafts are presented; and finally the relational cast that evidence the type of objects found. |
| publisher |
Universidad Católica de Pereira |
| publishDate |
2011 |
| url |
https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/480 |
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AT perezcardonacarmenadrianajorgeescobarucpeduco disenoartesaniayestetica |
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