CONCEPTUAL ARCHITECTURE CONNECTIONS BEYWEEN THE ANALYTICAL TWIST OF RECENT ART AND PROJECT RESEARCH

Architecture understood as art or knowledge - tejné - has its origins in an ancient complex that today refers to the transdisciplinary. It is from this context that we try to dive into the project as a problem in view of the specificity of its connection with recent art. This issue arise in the cont...

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Autor principal: Guerra Martinez, Soledad
Formato: Online
Idioma:spa
Publicado em: Facultad de Arquitectura, Urbanismo y Diseño 2017
Acesso em linha:https://revistas.unc.edu.ar/index.php/pensu/article/view/19017
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spelling oai:ojs.pkp.sfu.ca:article-190172019-11-04T16:32:56Z CONCEPTUAL ARCHITECTURE CONNECTIONS BEYWEEN THE ANALYTICAL TWIST OF RECENT ART AND PROJECT RESEARCH Arquitectura conceptual. Conexiones entre el giro analítico del arte reciente y la investigación proyectual Guerra Martinez, Soledad Investigación Proyectual Autoconocimiento Transdisciplina Arte Conceptual Arquitectura Conceptual Project Research Self Awareness Conceptual Art Conceptual Architecture Architecture understood as art or knowledge - tejné - has its origins in an ancient complex that today refers to the transdisciplinary. It is from this context that we try to dive into the project as a problem in view of the specificity of its connection with recent art. This issue arise in the context of the research of the Doctoral Thesis currently being performed by its author in the Doctorate in Architecture department in the Faculty of Architecture, Urban Planning and Design (FAUD), National University of Córdoba (UNC): "Project research and cutting edge art. Connections between the analytical twist of recent art and architecture as cultural practice". This paper attempts to develop some points of that complex discussion, taking into account the project practice and its relationship with the field of art, in its more critical and self conscious face, where its genealogies lie on the avant garde, the analytical philosophy and even science. This means raising at least a level of suspicion on that project production which does not give rise to self-criticism. Some dialogues should then be recognised and reviewed in the context of the so-called analytical twist of art that took place in the second half of the twentieth century and a way to conceive the architectural project as a cultural practice. A device that builds knowledge for and from discipline/knowledge: the project as research La arquitectura como arte o saber – tejné-, tiene sus orígenes en un complejo milenario que alude hoy a lo transdisciplinar. Desde allí se intenta profundizar en el proyecto, atendiendo a la especificidad de sus vínculos con el arte reciente. Tales problemáticas surgen de la investigación de la Tesis Doctoral que la autora lleva adelante en el Doctorado de Arquitectura / FAUD/ UNC: “Investigación proyectual y vanguardia artística .Conexiones entre el giro analítico del arte reciente y la arquitectura como práctica cultural”. En el presente artículo, se desarrollan algunos puntos de aquella discusión, atendiendo a la práctica proyectual y sus relaciones con el campo del arte, en su faz más crítica y autoconciente (cuyas genealogías se posan en la/s vanguardia/s, la filosofía analítica e incluso la ciencia). Esto supone instalar -al menos- un grado de sospecha sobre aquella producción proyectual autocomplaciente que no da lugar a la autocrítica. Se propone entonces, reconocer y revisar algunos diálogos en el contexto del llamado giro analítico del arte que transcurre en la segunda mitad del siglo XX, y un modo de concebir el proyecto arquitectónico como práctica cultural. Un dispositivo que construye conocimiento para y desde la disciplina/saber: el proyecto como investigación. Facultad de Arquitectura, Urbanismo y Diseño 2017-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/pensu/article/view/19017 PENSUM; Vol. 3 Núm. 3 (2017) 2469-0724 spa https://revistas.unc.edu.ar/index.php/pensu/article/view/19017/18934 Derechos de autor 2017 Soledad Guerra Martinez
institution Universidad Nacional de Córdoba
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language spa
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author Guerra Martinez, Soledad
spellingShingle Guerra Martinez, Soledad
CONCEPTUAL ARCHITECTURE CONNECTIONS BEYWEEN THE ANALYTICAL TWIST OF RECENT ART AND PROJECT RESEARCH
author_facet Guerra Martinez, Soledad
author_sort Guerra Martinez, Soledad
title CONCEPTUAL ARCHITECTURE CONNECTIONS BEYWEEN THE ANALYTICAL TWIST OF RECENT ART AND PROJECT RESEARCH
title_short CONCEPTUAL ARCHITECTURE CONNECTIONS BEYWEEN THE ANALYTICAL TWIST OF RECENT ART AND PROJECT RESEARCH
title_full CONCEPTUAL ARCHITECTURE CONNECTIONS BEYWEEN THE ANALYTICAL TWIST OF RECENT ART AND PROJECT RESEARCH
title_fullStr CONCEPTUAL ARCHITECTURE CONNECTIONS BEYWEEN THE ANALYTICAL TWIST OF RECENT ART AND PROJECT RESEARCH
title_full_unstemmed CONCEPTUAL ARCHITECTURE CONNECTIONS BEYWEEN THE ANALYTICAL TWIST OF RECENT ART AND PROJECT RESEARCH
title_sort conceptual architecture connections beyween the analytical twist of recent art and project research
description Architecture understood as art or knowledge - tejné - has its origins in an ancient complex that today refers to the transdisciplinary. It is from this context that we try to dive into the project as a problem in view of the specificity of its connection with recent art. This issue arise in the context of the research of the Doctoral Thesis currently being performed by its author in the Doctorate in Architecture department in the Faculty of Architecture, Urban Planning and Design (FAUD), National University of Córdoba (UNC): "Project research and cutting edge art. Connections between the analytical twist of recent art and architecture as cultural practice". This paper attempts to develop some points of that complex discussion, taking into account the project practice and its relationship with the field of art, in its more critical and self conscious face, where its genealogies lie on the avant garde, the analytical philosophy and even science. This means raising at least a level of suspicion on that project production which does not give rise to self-criticism. Some dialogues should then be recognised and reviewed in the context of the so-called analytical twist of art that took place in the second half of the twentieth century and a way to conceive the architectural project as a cultural practice. A device that builds knowledge for and from discipline/knowledge: the project as research
publisher Facultad de Arquitectura, Urbanismo y Diseño
publishDate 2017
url https://revistas.unc.edu.ar/index.php/pensu/article/view/19017
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