Drawings of observation in the architecture workshop. Between subjective expression and objective representation

We intend to systematize a series of teaching experiences, related to develop a compressive field in architectural drawing, usually known as sketch. In a more theoretical-pedagogical sense, it is sought that the students could explore and transit in a sensitive, but graduated and continuous way betw...

תיאור מלא

שמור ב:
מידע ביבליוגרפי
מחבר ראשי: Cañete Islas, Omar
פורמט: Online
שפה:spa
יצא לאור: Facultad de Arquitectura, Urbanismo y Diseño 2018
גישה מקוונת:https://revistas.unc.edu.ar/index.php/pensu/article/view/22659
תגים: הוספת תג
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
id oai:ojs.pkp.sfu.ca:article-22659
record_format ojs
spelling oai:ojs.pkp.sfu.ca:article-226592018-12-12T09:18:44Z Drawings of observation in the architecture workshop. Between subjective expression and objective representation Dibujos de observación en el taller de arquitectura. Entra la expresión subjetiva y la representación objetual Cañete Islas, Omar Sistematización modelos escultóricos expresión-composición rasgos-gestos Systematization sculptural models expression-composition features-gestures We intend to systematize a series of teaching experiences, related to develop a compressive field in architectural drawing, usually known as sketch. In a more theoretical-pedagogical sense, it is sought that the students could explore and transit in a sensitive, but graduated and continuous way between two planes: a) Individual expression, and b) a formal composition. Although their differences (objective v/s subjective point of view) both aspects are part from a same generative, dynamic and complex order Se pretende sistematizar una serie de experiencias docentes, que buscan acotar un campo comprensivo respecto del dibujo de observación arquitectural, usualmente conocido como croquis. En un sentido más teórico-pedagógico, se busca que los alumnos puedan explorar y transitar de modo sensitivo, pero graduado y continuo entre dos planos: a) la expresión subjetiva y b) la composición formal. Pese a sus diferencias (subjetivo vs objetivo) ambos planos los asumiremos desde un orden generativo, dinámico y complejo. Facultad de Arquitectura, Urbanismo y Diseño 2018-12-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/pensu/article/view/22659 PENSUM; Vol. 4 Núm. 4 (2018) 2469-0724 spa https://revistas.unc.edu.ar/index.php/pensu/article/view/22659/22283 Derechos de autor 2018 Omar Cañete Islas
institution Universidad Nacional de Córdoba
collection OJS
language spa
format Online
author Cañete Islas, Omar
spellingShingle Cañete Islas, Omar
Drawings of observation in the architecture workshop. Between subjective expression and objective representation
author_facet Cañete Islas, Omar
author_sort Cañete Islas, Omar
title Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_short Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_full Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_fullStr Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_full_unstemmed Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_sort drawings of observation in the architecture workshop. between subjective expression and objective representation
description We intend to systematize a series of teaching experiences, related to develop a compressive field in architectural drawing, usually known as sketch. In a more theoretical-pedagogical sense, it is sought that the students could explore and transit in a sensitive, but graduated and continuous way between two planes: a) Individual expression, and b) a formal composition. Although their differences (objective v/s subjective point of view) both aspects are part from a same generative, dynamic and complex order
publisher Facultad de Arquitectura, Urbanismo y Diseño
publishDate 2018
url https://revistas.unc.edu.ar/index.php/pensu/article/view/22659
work_keys_str_mv AT caneteislasomar drawingsofobservationinthearchitectureworkshopbetweensubjectiveexpressionandobjectiverepresentation
AT caneteislasomar dibujosdeobservacioneneltallerdearquitecturaentralaexpresionsubjetivaylarepresentacionobjetual
_version_ 1709641146753351680