Bodies of Modernity, Bodies of Publicity: Las bañistas by Jorge González Camarena
This paper proposes an iconographic analysis of the painting Las bañistas, done by Jorge González Camarena, as an illustration of a calendar for the Cemento Cruz Azul company in 1935. The analysis was conducted from the observation of the visual setting of modern spaces and its relationship with the...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2016
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oai:ojs.pkp.sfu.ca:article-562662021-01-21T18:14:54Z Bodies of Modernity, Bodies of Publicity: Las bañistas by Jorge González Camarena Cuerpo de modernidad, cuerpo de publicidad: Las bañistas de Jorge González Camarena Hernández Flores, Fabiola This paper proposes an iconographic analysis of the painting Las bañistas, done by Jorge González Camarena, as an illustration of a calendar for the Cemento Cruz Azul company in 1935. The analysis was conducted from the observation of the visual setting of modern spaces and its relationship with the representation of the body's social connotations. Las bañistas presents a plastic synthesis and an updating of vanguard art and the iconography of hegemonic erotic art where body and architecture merge to shape consumption spaces. El artículo propone el análisis iconográfico de Las bañistas, pintura de Jorge González Camarena realizada como ilustración de calendario para la empresa Cemento Cruz Azul en 1935. El análisis se realizará a partir de la observación de la configuración visual de espacios modernos y su relación con las connotacionessociales de la representación del cuerpo, ya que Las bañistas presenta una síntesis plástica y actualización del arte de vanguardia e iconografía erótica del arte hegemónico, donde cuerpo y arquitectura se fusionan y conforman espacios de consumo. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2016-07-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/56266 10.22201/fa.14058901p.2015.29.56266 Bitacora Arquitectura; No. 29 (2015): Architecture, City and Light; 124-133 Bitácora Arquitectura; Núm. 29 (2015): Arquitectura, ciudad y luz; 124-133 2594-0856 1405-8901 10.22201/fa.14058901p.2015.29 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/56266/49896 https://www.revistas.unam.mx/index.php/bitacora/article/view/56266/59715 Derechos de autor 2016 Universidad Nacional Autónoma de México |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Hernández Flores, Fabiola |
| spellingShingle |
Hernández Flores, Fabiola Bodies of Modernity, Bodies of Publicity: Las bañistas by Jorge González Camarena |
| author_facet |
Hernández Flores, Fabiola |
| author_sort |
Hernández Flores, Fabiola |
| title |
Bodies of Modernity, Bodies of Publicity: Las bañistas by Jorge González Camarena |
| title_short |
Bodies of Modernity, Bodies of Publicity: Las bañistas by Jorge González Camarena |
| title_full |
Bodies of Modernity, Bodies of Publicity: Las bañistas by Jorge González Camarena |
| title_fullStr |
Bodies of Modernity, Bodies of Publicity: Las bañistas by Jorge González Camarena |
| title_full_unstemmed |
Bodies of Modernity, Bodies of Publicity: Las bañistas by Jorge González Camarena |
| title_sort |
bodies of modernity, bodies of publicity: las bañistas by jorge gonzález camarena |
| description |
This paper proposes an iconographic analysis of the painting Las bañistas, done by Jorge González Camarena, as an illustration of a calendar for the Cemento Cruz Azul company in 1935. The analysis was conducted from the observation of the visual setting of modern spaces and its relationship with the representation of the body's social connotations. Las bañistas presents a plastic synthesis and an updating of vanguard art and the iconography of hegemonic erotic art where body and architecture merge to shape consumption spaces. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2016 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/56266 |
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