Lived Cities, Painted Cities, Designed Cities Italian Futurism (1909-1915)

This paper discusses the Italian Futurism movement between 1909 and 1915, focusing on the way in which some of its exponents –painters, sculptors, architects– interpreted the space of their interventions through the conscious record of a particular concept of time concerning their particular work. I...

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Foilsithe: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2015
Rochtain Ar Líne:https://www.revistas.unam.mx/index.php/bitacora/article/view/56640
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spelling oai:ojs.pkp.sfu.ca:article-566402021-01-21T18:14:54Z Lived Cities, Painted Cities, Designed Cities Italian Futurism (1909-1915) Ciudades vividas, ciudades pintadas, ciudades proyectadas El futurismo italiano (1909-1915) Pizza, Antonio espacio tiempo futurismo ciudad Boccioni Balla Severini Sant’Elia This paper discusses the Italian Futurism movement between 1909 and 1915, focusing on the way in which some of its exponents –painters, sculptors, architects– interpreted the space of their interventions through the conscious record of a particular concept of time concerning their particular work. In the Futurist work, there was a plural temporality –taken in its specific passing-by as speed, or mechanical movement– that was translated in its creative universe as “simultaneity of actions" and “plastic dynamism". Attention is focused on the way cities were lived by some of the Futurism protagonists, portrayed by painters, and designed by the architects. Este ensayo analiza un período acotado (1909-1915) del movimiento futurista italiano, centrando su atención en cómo algunos de sus protagonistas −pintores, escultores, arquitectos− interpretan el espacio de sus intervenciones a través del registro consciente del tiempo peculiar que atañe a la obra concreta.En el caso de los trabajos futuristas, se tratará de una temporalidad plural, considerada en su específico trans-correr como velocidad, movimiento mecánico; y traducida pues, en el universo creativo, como “simultaneismo de acciones” y “dinamismo plástico”. La atención se focalizará en las “ciudades” de los futuristas tal y como son vividas por parte de los componentes del grupo, retratadas por los pintores y proyectadas por los arquitecos. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2015-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/56640 10.22201/fa.14058901p.2015.29.56640 Bitacora Arquitectura; No. 29 (2015): Architecture, City and Light; 4-15 Bitácora Arquitectura; Núm. 29 (2015): Arquitectura, ciudad y luz; 4-15 2594-0856 1405-8901 10.22201/fa.14058901p.2015.29 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/56640/50251 https://www.revistas.unam.mx/index.php/bitacora/article/view/56640/59695 Derechos de autor 2016 Universidad Nacional Autónoma de México
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Pizza, Antonio
spellingShingle Pizza, Antonio
Lived Cities, Painted Cities, Designed Cities Italian Futurism (1909-1915)
author_facet Pizza, Antonio
author_sort Pizza, Antonio
title Lived Cities, Painted Cities, Designed Cities Italian Futurism (1909-1915)
title_short Lived Cities, Painted Cities, Designed Cities Italian Futurism (1909-1915)
title_full Lived Cities, Painted Cities, Designed Cities Italian Futurism (1909-1915)
title_fullStr Lived Cities, Painted Cities, Designed Cities Italian Futurism (1909-1915)
title_full_unstemmed Lived Cities, Painted Cities, Designed Cities Italian Futurism (1909-1915)
title_sort lived cities, painted cities, designed cities italian futurism (1909-1915)
description This paper discusses the Italian Futurism movement between 1909 and 1915, focusing on the way in which some of its exponents –painters, sculptors, architects– interpreted the space of their interventions through the conscious record of a particular concept of time concerning their particular work. In the Futurist work, there was a plural temporality –taken in its specific passing-by as speed, or mechanical movement– that was translated in its creative universe as “simultaneity of actions" and “plastic dynamism". Attention is focused on the way cities were lived by some of the Futurism protagonists, portrayed by painters, and designed by the architects.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2015
url https://www.revistas.unam.mx/index.php/bitacora/article/view/56640
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