Stuttgart’s Neue Staatsgalerie, or the Collapse of Clasicism

Stuttgart’s Neue Staatsgalerie, designed by James Stirling, proposes a diversity of itineraries characterized by their unpredictability, their fragmentation, their continual contradiction of the visitor’s expectations. The sense of time that emerges when experiencing this architecture is discontinuo...

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Bibliografische gegevens
Hoofdauteur: Del Castillo Sánchez, Óscar
Formaat: Online
Taal:spa
Gepubliceerd in: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018
Online toegang:https://www.revistas.unam.mx/index.php/bitacora/article/view/67815
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Samenvatting:Stuttgart’s Neue Staatsgalerie, designed by James Stirling, proposes a diversity of itineraries characterized by their unpredictability, their fragmentation, their continual contradiction of the visitor’s expectations. The sense of time that emerges when experiencing this architecture is discontinuous, random and uncertain, reflecting our contemporary condition. Examining this museum using the approaches of the philosophers Husserl or Ricoeur sheds new light on these issues.