The Jewish Museum in Berlin: The Space, the Happening and the Void
This article studies Daniel Libeskind’s Jewish Museum in Berlin, particularly the Holocaust Tower, in the light of Jean-François Lyotard’s theory of the happening and its dialogue with Edmund Burke’s category of the sublime. It analyzes the effect produced on subjects by certain experiences and thei...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2018
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| Online Access: | https://www.revistas.unam.mx/index.php/bitacora/article/view/67822 |
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oai:ojs.pkp.sfu.ca:article-678222021-01-27T17:43:31Z The Jewish Museum in Berlin: The Space, the Happening and the Void El museo judío de Berlín: El espacio, el acontecimiento y el Vacío Vaccaro Cruz, María Cristina acontecimiento sublime museo judío Berlín Holocausto Libeskind Burke Lyotard happening sublime museum Jewish Berlin Holocaust Libeskind Burke Lyotard This article studies Daniel Libeskind’s Jewish Museum in Berlin, particularly the Holocaust Tower, in the light of Jean-François Lyotard’s theory of the happening and its dialogue with Edmund Burke’s category of the sublime. It analyzes the effect produced on subjects by certain experiences and their political and social implications. En este artículo se estudia el Museo Judío de Berlín, de Daniel Libeskind –en particular la Torre del Holocausto– desde la idea del “acontecimiento” del filósofo francés Jean-François Lyotard y su discusión con la categoría estética de lo sublime del empirista Edmund Burke. Se trata de analizar las afectaciones sensibles que provocan ciertas experiencias en los sujetos y sus implicaciones políticas y sociales. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/67822 10.22201/fa.14058901p.2018.39.67822 Bitacora Arquitectura; No. 39 (2018): Senses; 16-23 Bitácora Arquitectura; Núm. 39 (2018): Sentidos; 16-23 2594-0856 1405-8901 10.22201/fa.14058901p.2018.39 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/67822/60393 https://www.revistas.unam.mx/index.php/bitacora/article/view/67822/67504 Derechos de autor 2018 Bitácora arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Vaccaro Cruz, María Cristina |
| spellingShingle |
Vaccaro Cruz, María Cristina The Jewish Museum in Berlin: The Space, the Happening and the Void |
| author_facet |
Vaccaro Cruz, María Cristina |
| author_sort |
Vaccaro Cruz, María Cristina |
| title |
The Jewish Museum in Berlin: The Space, the Happening and the Void |
| title_short |
The Jewish Museum in Berlin: The Space, the Happening and the Void |
| title_full |
The Jewish Museum in Berlin: The Space, the Happening and the Void |
| title_fullStr |
The Jewish Museum in Berlin: The Space, the Happening and the Void |
| title_full_unstemmed |
The Jewish Museum in Berlin: The Space, the Happening and the Void |
| title_sort |
jewish museum in berlin: the space, the happening and the void |
| description |
This article studies Daniel Libeskind’s Jewish Museum in Berlin, particularly the Holocaust Tower, in the light of Jean-François Lyotard’s theory of the happening and its dialogue with Edmund Burke’s category of the sublime. It analyzes the effect produced on subjects by certain experiences and their political and social implications. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2018 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/67822 |
| work_keys_str_mv |
AT vaccarocruzmariacristina thejewishmuseuminberlinthespacethehappeningandthevoid AT vaccarocruzmariacristina elmuseojudiodeberlinelespacioelacontecimientoyelvacio AT vaccarocruzmariacristina jewishmuseuminberlinthespacethehappeningandthevoid |
| _version_ |
1817362178017067008 |