Cinematographic Confinement, Heterotopic Space
This article argues that the documentary Tempestad (Tatiana Huezo, 2016) reproduces a series of heterotopic representations that meditate on the pain and suffering of the protagonists, opening up a critical space from which to contest the violence of the “war on drug trafficking.”
Saved in:
| 主要作者: | |
|---|---|
| 格式: | Online |
| 语言: | spa |
| 出版: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2019
|
| 在线阅读: | https://www.revistas.unam.mx/index.php/bitacora/article/view/69439 |
| 标签: |
添加标签
没有标签, 成为第一个标记此记录!
|
| id |
oai:ojs.pkp.sfu.ca:article-69439 |
|---|---|
| record_format |
ojs |
| spelling |
oai:ojs.pkp.sfu.ca:article-694392020-07-29T22:24:17Z Cinematographic Confinement, Heterotopic Space Encierro cinematográfico, espacio heterotópico Salazár Barrón, Sergio heterotopía representación espacios de encierro documental This article argues that the documentary Tempestad (Tatiana Huezo, 2016) reproduces a series of heterotopic representations that meditate on the pain and suffering of the protagonists, opening up a critical space from which to contest the violence of the “war on drug trafficking.” En el presente artículo se argumenta que el documental Tempestad reproduce un espaciode representaciones heterotópico que dilata el dolor y sufrimiento vividos por las protagonistas de dicha historia, de tal manera que abre un espacio crítico desde el cual impugnar la violencia de la “guerra contra el narco.” Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019-05-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/69439 10.22201/fa.14058901p.2019.40.69439 Bitacora Arquitectura; No. 40 (2018): Film and Architecture; 4-15 Bitácora Arquitectura; Núm. 40 (2018): Cine y arquitectura; 4-15 2594-0856 1405-8901 10.22201/fa.14058901p.2019.40 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/69439/61480 https://www.revistas.unam.mx/index.php/bitacora/article/view/69439/67515 Derechos de autor 2019 Bitácora arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Salazár Barrón, Sergio |
| spellingShingle |
Salazár Barrón, Sergio Cinematographic Confinement, Heterotopic Space |
| author_facet |
Salazár Barrón, Sergio |
| author_sort |
Salazár Barrón, Sergio |
| title |
Cinematographic Confinement, Heterotopic Space |
| title_short |
Cinematographic Confinement, Heterotopic Space |
| title_full |
Cinematographic Confinement, Heterotopic Space |
| title_fullStr |
Cinematographic Confinement, Heterotopic Space |
| title_full_unstemmed |
Cinematographic Confinement, Heterotopic Space |
| title_sort |
cinematographic confinement, heterotopic space |
| description |
This article argues that the documentary Tempestad (Tatiana Huezo, 2016) reproduces a series of heterotopic representations that meditate on the pain and suffering of the protagonists, opening up a critical space from which to contest the violence of the “war on drug trafficking.” |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2019 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/69439 |
| work_keys_str_mv |
AT salazarbarronsergio cinematographicconfinementheterotopicspace AT salazarbarronsergio encierrocinematograficoespacioheterotopico |
| _version_ |
1817362180379508736 |