Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films

Ever since its origins, Mexican film has been an important source of narrative imaginaries of the city. Through a multiplicity of genres and themes, it has contributed to the construction of a sense of identification and belonging in our culture, particularly in the first half of the twentieth centu...

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Hovedforfatter: Ramírez Ibarra, Ramón
Format: Online
Sprog:spa
Udgivet: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019
Online adgang:https://www.revistas.unam.mx/index.php/bitacora/article/view/69454
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spelling oai:ojs.pkp.sfu.ca:article-694542020-07-29T22:27:34Z Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films De contrabandistas, justicieros y carteles Ramírez Ibarra, Ramón cine violencia paisaje urbano sociología cultural Ever since its origins, Mexican film has been an important source of narrative imaginaries of the city. Through a multiplicity of genres and themes, it has contributed to the construction of a sense of identification and belonging in our culture, particularly in the first half of the twentieth century. From the 1980s on, this sense of identity and nationality has faded, giving way to new narratives on the relationship between the global and the local. An example of this can be seen in the action genre, modeled after Hollywood B movies, which are characterized by specific narratives of urban phenomena seen through semiotic codes of local action. This article examines the cultural landscape depicted in films produced and set in the city of Monterrey . Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019-05-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/69454 10.22201/fa.14058901p.2019.40.69454 Bitacora Arquitectura; No. 40 (2018): Film and Architecture; 114-125 Bitácora Arquitectura; Núm. 40 (2018): Cine y arquitectura; 114-125 2594-0856 1405-8901 10.22201/fa.14058901p.2019.40 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/69454/61465 https://www.revistas.unam.mx/index.php/bitacora/article/view/69454/67523 Derechos de autor 2019 Bitácora arquitectura
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Ramírez Ibarra, Ramón
spellingShingle Ramírez Ibarra, Ramón
Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films
author_facet Ramírez Ibarra, Ramón
author_sort Ramírez Ibarra, Ramón
title Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films
title_short Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films
title_full Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films
title_fullStr Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films
title_full_unstemmed Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films
title_sort of smugglers, vigilantes and cartels: the construction of the urban landscape in monterrey films
description Ever since its origins, Mexican film has been an important source of narrative imaginaries of the city. Through a multiplicity of genres and themes, it has contributed to the construction of a sense of identification and belonging in our culture, particularly in the first half of the twentieth century. From the 1980s on, this sense of identity and nationality has faded, giving way to new narratives on the relationship between the global and the local. An example of this can be seen in the action genre, modeled after Hollywood B movies, which are characterized by specific narratives of urban phenomena seen through semiotic codes of local action. This article examines the cultural landscape depicted in films produced and set in the city of Monterrey
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2019
url https://www.revistas.unam.mx/index.php/bitacora/article/view/69454
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