Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films
Ever since its origins, Mexican film has been an important source of narrative imaginaries of the city. Through a multiplicity of genres and themes, it has contributed to the construction of a sense of identification and belonging in our culture, particularly in the first half of the twentieth centu...
Shranjeno v:
| Glavni avtor: | |
|---|---|
| Format: | Online |
| Jezik: | spa |
| Izdano: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2019
|
| Online dostop: | https://www.revistas.unam.mx/index.php/bitacora/article/view/69454 |
| Oznake: |
Označite
Brez oznak, prvi označite!
|
| id |
oai:ojs.pkp.sfu.ca:article-69454 |
|---|---|
| record_format |
ojs |
| spelling |
oai:ojs.pkp.sfu.ca:article-694542020-07-29T22:27:34Z Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films De contrabandistas, justicieros y carteles Ramírez Ibarra, Ramón cine violencia paisaje urbano sociología cultural Ever since its origins, Mexican film has been an important source of narrative imaginaries of the city. Through a multiplicity of genres and themes, it has contributed to the construction of a sense of identification and belonging in our culture, particularly in the first half of the twentieth century. From the 1980s on, this sense of identity and nationality has faded, giving way to new narratives on the relationship between the global and the local. An example of this can be seen in the action genre, modeled after Hollywood B movies, which are characterized by specific narratives of urban phenomena seen through semiotic codes of local action. This article examines the cultural landscape depicted in films produced and set in the city of Monterrey . Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019-05-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/69454 10.22201/fa.14058901p.2019.40.69454 Bitacora Arquitectura; No. 40 (2018): Film and Architecture; 114-125 Bitácora Arquitectura; Núm. 40 (2018): Cine y arquitectura; 114-125 2594-0856 1405-8901 10.22201/fa.14058901p.2019.40 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/69454/61465 https://www.revistas.unam.mx/index.php/bitacora/article/view/69454/67523 Derechos de autor 2019 Bitácora arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Ramírez Ibarra, Ramón |
| spellingShingle |
Ramírez Ibarra, Ramón Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films |
| author_facet |
Ramírez Ibarra, Ramón |
| author_sort |
Ramírez Ibarra, Ramón |
| title |
Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films |
| title_short |
Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films |
| title_full |
Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films |
| title_fullStr |
Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films |
| title_full_unstemmed |
Of Smugglers, Vigilantes and Cartels: The Construction of the Urban Landscape in Monterrey Films |
| title_sort |
of smugglers, vigilantes and cartels: the construction of the urban landscape in monterrey films |
| description |
Ever since its origins, Mexican film has been an important source of narrative imaginaries of the city. Through a multiplicity of genres and themes, it has contributed to the construction of a sense of identification and belonging in our culture, particularly in the first half of the twentieth century. From the 1980s on, this sense of identity and nationality has faded, giving way to new narratives on the relationship between the global and the local. An example of this can be seen in the action genre, modeled after Hollywood B movies, which are characterized by specific narratives of urban phenomena seen through semiotic codes of local action. This article examines the cultural landscape depicted in films produced and set in the city of Monterrey |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2019 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/69454 |
| work_keys_str_mv |
AT ramirezibarraramon ofsmugglersvigilantesandcartelstheconstructionoftheurbanlandscapeinmonterreyfilms AT ramirezibarraramon decontrabandistasjusticierosycarteles |
| _version_ |
1817362182722027520 |