Meditations on the Villa di Pratolino: The Etchings of Stefano Della Bella in the Collection of the Academy of San Carlos
This article studies the 1653 etching series Vedute della Villa di Pratolino a Firenze by the Italian engraver Stefano Della Bella, which forms part of that portion of the collection of the Academy of San Carlos held by the National Autonomous University of Mexico´s Faculty of Arts and Design. The p...
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Facultad de Arquitectura, Universidad Nacional Autónoma de México
2020
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oai:ojs.pkp.sfu.ca:article-728962021-01-28T18:24:18Z Meditations on the Villa di Pratolino: The Etchings of Stefano Della Bella in the Collection of the Academy of San Carlos Meditaciones en la villa de Pratolino. Los aguafuertes de Stefano Della Bella en la colección de la Antigua Academia de San Carlos Ortega Ramírez, Angélica grabado jardín academia estampa villa Antigüedad Renacimiento clasicismo arquitectura paisaje This article studies the 1653 etching series Vedute della Villa di Pratolino a Firenze by the Italian engraver Stefano Della Bella, which forms part of that portion of the collection of the Academy of San Carlos held by the National Autonomous University of Mexico´s Faculty of Arts and Design. The purpose of this article is to analyze the process of its acquisition by the institution, as well as the immortalization in these engravings of an ephemeral, fragile moment in the history of its gardens. El artículo se ocupa de la serie de aguafuertes Vedute della Villa di Pratolino a Firenze, realizada por el grabador italiano Stefano Della Bella en 1653 y que actualmente forma parte de la colección de la Academia de San Carlos de la Facultad de Artes y Diseño de la Universidad Nacional Autónoma de México. El objetivo de este trabajo es analizar los pormenores de la adquisición de dichas obras salvaguardadas en los acervos, así como abordar la permanencia mediante la representación en los grabados, de la disposición efímera y frágil de un momento específico en la historia de los jardines. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2020-03-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/72896 10.22201/fa.14058901p.2019.42.72896 Bitacora Arquitectura; No. 42 (2019): Drawing and Architecture; 74-81 Bitácora Arquitectura; Núm. 42 (2019): Dibujo y arquitectura; 74-81 2594-0856 1405-8901 10.22201/fa.14058901p.2019.42 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/72896/66681 https://www.revistas.unam.mx/index.php/bitacora/article/view/72896/67554 Derechos de autor 2020 Bitácora Arquitectura |
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Universidad Nacional Autónoma de México |
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Online |
author |
Ortega Ramírez, Angélica |
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Ortega Ramírez, Angélica Meditations on the Villa di Pratolino: The Etchings of Stefano Della Bella in the Collection of the Academy of San Carlos |
author_facet |
Ortega Ramírez, Angélica |
author_sort |
Ortega Ramírez, Angélica |
title |
Meditations on the Villa di Pratolino: The Etchings of Stefano Della Bella in the Collection of the Academy of San Carlos |
title_short |
Meditations on the Villa di Pratolino: The Etchings of Stefano Della Bella in the Collection of the Academy of San Carlos |
title_full |
Meditations on the Villa di Pratolino: The Etchings of Stefano Della Bella in the Collection of the Academy of San Carlos |
title_fullStr |
Meditations on the Villa di Pratolino: The Etchings of Stefano Della Bella in the Collection of the Academy of San Carlos |
title_full_unstemmed |
Meditations on the Villa di Pratolino: The Etchings of Stefano Della Bella in the Collection of the Academy of San Carlos |
title_sort |
meditations on the villa di pratolino: the etchings of stefano della bella in the collection of the academy of san carlos |
description |
This article studies the 1653 etching series Vedute della Villa di Pratolino a Firenze by the Italian engraver Stefano Della Bella, which forms part of that portion of the collection of the Academy of San Carlos held by the National Autonomous University of Mexico´s Faculty of Arts and Design. The purpose of this article is to analyze the process of its acquisition by the institution, as well as the immortalization in these engravings of an ephemeral, fragile moment in the history of its gardens. |
publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
publishDate |
2020 |
url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/72896 |
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