THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL

Modern architecture paradigm, the Bauhaus building designed by Walter Gropius, which 90th anniversary is this year in December, appears as an obligatory reference in the study of the Architecture History today, but an edited reference from the devoted perspective of the books, the untainted images f...

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Egile nagusia:	Vera, Rodrigo
Formatua:	Online
Hizkuntza:	spa
Argitaratua:	Universidad Diego Portales 2016
Sarrera elektronikoa:	https://www.revista180.udp.cl/index.php/revista180/article/view/322
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record_format	ojs
spelling	oai:ojs.revista180.cl:article-3222017-09-29T18:10:28Z THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL EL PARADIGMA DE LA BAUHAUS DILUIDO EN EL DETALLE. EL PASO DEL TIEMPO Y LAS TRANSFORMACIONES EN LO MATERIAL Vera, Rodrigo architecture; Bauhaus; history; modernity Arquitectura; Bauhaus; detalle; historia; modernidad Modern architecture paradigm, the Bauhaus building designed by Walter Gropius, which 90th anniversary is this year in December, appears as an obligatory reference in the study of the Architecture History today, but an edited reference from the devoted perspective of the books, the untainted images from an official photographic discourse which does not give an account of the subtle transformations of a building that is presently a World Heritage site. The diverse restoration jobs the building has gone through and its constant records tend to make this daily look invisible from an aura-surrounded space. That look discovering what that modernity reference has in common with any other modern movement building: an unavoidable deterioration produced by the passing time and use, a detail poetic which removes the project sacred archetypical image. This article was written given my continuous trips during 2011 to the Bauhaus site in Dessau and this further look into this, through a doctoral research internship at the Freie Universität Berlin. The intention is to reflect upon text and image, upon a common situation where even the most direct modernity reference cannot scape: the transformations produced by the passing of time and its material print. Paradigma de la arquitectura moderna, el edificio de la Bauhaus de Dessau —proyectado por Walter Gropius y que en el mes de diciembre de 2016 cumple noventa años— nos llega hoy como una referencia obligada en el estudio de la historia de la arquitectura. Sin embargo, es una referencia editada desde la mirada consagrada de los libros, lo impoluto de las imágenes de un discurso fotográfico oficial, que no da cuenta de las sutiles transformaciones de un edificio que hoy es Patrimonio de la Humanidad. Los diversos trabajos de restauración a los que ha sido sometido el inmueble y sus constantes registros tienden a invisibilizar esa mirada cotidiana desde ese espacio auratizado, la que descubre lo que ese referente de la modernidad tiene en común con cualquier otro edificio del movimiento moderno: un desgaste inevitable generado por el paso del tiempo y el uso, una poética del detalle que desacraliza la imagen arquetípica de la obra. El presente artículo se elaboró a partir de sucesivos viajes desde el año 2011 a la sede de la Bauhaus en Dessau y de una pasantía de investigación doctoral en la Freie Universität Berlin. Se pretende reflexionar en la relación entre texto e imagen acerca de una situación común a la que no escapa ni el referente más directo de la modernidad: las transformaciones generadas por el paso del tiempo y su huella material. Universidad Diego Portales 2016-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revista180.udp.cl/index.php/revista180/article/view/322 10.32995/rev180.Num-38.(2016).art-322 Revista 180; Núm. 38 (2016): RUINA Y FUTURO Revista 180; Núm. 38 (2016): RUINA Y FUTURO 0718-669X 0718-2309 spa https://www.revista180.udp.cl/index.php/revista180/article/view/322/309 Copyright (c) 2016 Revista 180 https://creativecommons.org/licenses/by/4.0
institution	Universidad Diego Portales
collection	OJS
language	spa
format	Online
author	Vera, Rodrigo
spellingShingle	Vera, Rodrigo THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL
author_facet	Vera, Rodrigo
author_sort	Vera, Rodrigo
title	THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL
title_short	THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL
title_full	THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL
title_fullStr	THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL
title_full_unstemmed	THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL
title_sort	bauhaus paradigm diluted in the detail. the passing of time and the transformations in the material
description	Modern architecture paradigm, the Bauhaus building designed by Walter Gropius, which 90th anniversary is this year in December, appears as an obligatory reference in the study of the Architecture History today, but an edited reference from the devoted perspective of the books, the untainted images from an official photographic discourse which does not give an account of the subtle transformations of a building that is presently a World Heritage site. The diverse restoration jobs the building has gone through and its constant records tend to make this daily look invisible from an aura-surrounded space. That look discovering what that modernity reference has in common with any other modern movement building: an unavoidable deterioration produced by the passing time and use, a detail poetic which removes the project sacred archetypical image. This article was written given my continuous trips during 2011 to the Bauhaus site in Dessau and this further look into this, through a doctoral research internship at the Freie Universität Berlin. The intention is to reflect upon text and image, upon a common situation where even the most direct modernity reference cannot scape: the transformations produced by the passing of time and its material print.
publisher	Universidad Diego Portales
publishDate	2016
url	https://www.revista180.udp.cl/index.php/revista180/article/view/322
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THE BAUHAUS PARADIGM DILUTED IN THE DETAIL. THE PASSING OF TIME AND THE TRANSFORMATIONS IN THE MATERIAL

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