UTOPIA, LABOUR, AND POST-FORDISM: ON HARUN FAROCKI’S COUNTER-MUSIC
This article explores the transformations suffered by the notion of utopia with the passage from an industrial to a post-industrial society. This involves posing the question regarding the historical specificity of the notion of utopia. This does not mean, however, to simply develop a historic accou...
Na minha lista:
| Autor principal: | Celis Bueno, Claudio |
|---|---|
| Formato: | Online |
| Idioma: | spa |
| Publicado em: |
Universidad Diego Portales
2017
|
| Acesso em linha: | https://www.revista180.udp.cl/index.php/revista180/article/view/401 |
| Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
Registros relacionados
-
LA POST-PRODUCCIÓN COMO HERRAMIENTA CRÍTICA
por: Celis, Claudio
Publicado em: (2010) -
From the Landscape of Power to a Counter-Hegemonic Place
por: Peimbert Duarte, Alejandro
Publicado em: (2018) -
Language mechanisms in art production during the counter reformation
por: Saviani, Benjamim
Publicado em: (2015) -
Allagmatics as a posthumanistic discipline: New methodologies for the study of images in the age of machine vision
por: Celis Bueno, Claudio
Publicado em: (2020) -
Caracterização da qualidade acústica de salas de aula para prática e ensino musical
por: Vergara, Erasmo Felipe, et al.
Publicado em: (2016)