The visible presence of the camera in the Latin American documentary
Starting with A Man with a Movie Camera (Vertov, 1929), the visible presence of the camera within the film, points to the self-reflexive irruption of the cinematographic device. In Vertov's film, this presence signals a reflection at the same time technical, aesthetic and political on the condi...
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| Hovedforfatter: | |
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| Format: | Online |
| Sprog: | spa |
| Udgivet: |
Universidad Diego Portales
2019
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| Online adgang: | https://www.revista180.udp.cl/index.php/revista180/article/view/569 |
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