The visible presence of the camera in the Latin American documentary
Starting with A Man with a Movie Camera (Vertov, 1929), the visible presence of the camera within the film, points to the self-reflexive irruption of the cinematographic device. In Vertov's film, this presence signals a reflection at the same time technical, aesthetic and political on the condi...
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                  | Príomhúdar: | |
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| Formáid: | Online | 
| Teanga: | spa | 
| Foilsithe: | Universidad Diego Portales
    
      2019 | 
| Rochtain Ar Líne: | https://www.revista180.udp.cl/index.php/revista180/article/view/569 | 
| Clibeanna: | Cuir Clib Leis 
      Gan Chlibeanna, Bí ar an gcéad duine leis an taifead seo a chlibeáil!
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