The visible presence of the camera in the Latin American documentary
Starting with A Man with a Movie Camera (Vertov, 1929), the visible presence of the camera within the film, points to the self-reflexive irruption of the cinematographic device. In Vertov's film, this presence signals a reflection at the same time technical, aesthetic and political on the condi...
Spremljeno u:
| Glavni autor: | |
|---|---|
| Format: | Online |
| Jezik: | spa |
| Izdano: |
Universidad Diego Portales
2019
|
| Online pristup: | https://www.revista180.udp.cl/index.php/revista180/article/view/569 |
| Oznake: |
Dodaj oznaku
Bez oznaka, Budi prvi tko označuje ovaj zapis!
|