Visual Culture
The article proposes the term “Visual Culture” as a concept that provides a wide range of contents prone for interpretation in historical researches. In the introduction, the author analyzes and justifies the concept itself, as well as its scope as a useful instrument for investigators, emphasizing...
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| Formato: | Online |
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UNIVERSIDAD ANTONIO NARIÑO
2010
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| Acesso em linha: | https://revistas.uan.edu.co/index.php/nodo/article/view/32 |
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oai:ojs.revistas.uan.edu.co:article-322021-02-15T20:19:24Z Visual Culture Cultura visual Bermúdez Castillo, Jairo Alfredo Cultura visual grupo élite dirigente imágenes Visual culture government elite group images The article proposes the term “Visual Culture” as a concept that provides a wide range of contents prone for interpretation in historical researches. In the introduction, the author analyzes and justifies the concept itself, as well as its scope as a useful instrument for investigators, emphasizing on its applicability for studying, evaluating and understanding images, while revealing that all visual culture responds to theparticular interests of a managing elite and it is aimed to a specific social group or human settlement. Then, based on three well-known periods of Colombian history (pre-Hispanic times, the Colony and the Independence), the author demonstrates this hypothesis. El artículo propone el concepto cultura visual como elemento que aporta a las investigaciones de carácter histórico una amplia gama de contenidos susceptibles de interpretación. En la introducción el autor analiza y sustenta el concepto propuesto, cultura visual, y sus alcances como instrumento al servicio de los investigadores; haciendo énfasis en su utilidad para estudiar, analizar e interpretar imágenes; al tiempo que demuestra que toda cultura visual responde a los intereses particulares de una élite dirigente, y está dirigida a un grupo social o asentamiento humano. A continuación y con base en tres períodos de la historia colombiana: la época prehispánica, la Colonia y la Independencia, el autor hace evidente la hipótesis planteada. UNIVERSIDAD ANTONIO NARIÑO 2010-12-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.uan.edu.co/index.php/nodo/article/view/32 REVISTA NODO; Vol. 4 Núm. 8 (2010); 5 - 30 2346-092X 1909-3888 spa https://revistas.uan.edu.co/index.php/nodo/article/view/32/25 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Antonio Nariño |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Bermúdez Castillo, Jairo Alfredo |
| spellingShingle |
Bermúdez Castillo, Jairo Alfredo Visual Culture |
| author_facet |
Bermúdez Castillo, Jairo Alfredo |
| author_sort |
Bermúdez Castillo, Jairo Alfredo |
| title |
Visual Culture |
| title_short |
Visual Culture |
| title_full |
Visual Culture |
| title_fullStr |
Visual Culture |
| title_full_unstemmed |
Visual Culture |
| title_sort |
visual culture |
| description |
The article proposes the term “Visual Culture” as a concept that provides a wide range of contents prone for interpretation in historical researches. In the introduction, the author analyzes and justifies the concept itself, as well as its scope as a useful instrument for investigators, emphasizing on its applicability for studying, evaluating and understanding images, while revealing that all visual culture responds to theparticular interests of a managing elite and it is aimed to a specific social group or human settlement. Then, based on three well-known periods of Colombian history (pre-Hispanic times, the Colony and the Independence), the author demonstrates this hypothesis. |
| publisher |
UNIVERSIDAD ANTONIO NARIÑO |
| publishDate |
2010 |
| url |
https://revistas.uan.edu.co/index.php/nodo/article/view/32 |
| work_keys_str_mv |
AT bermudezcastillojairoalfredo visualculture AT bermudezcastillojairoalfredo culturavisual |
| _version_ |
1709640625823940608 |