From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)

From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)

This article is based on research that analyzed a corpus of 225 issues of the magazines A Casa and Arquitetura e Urbanismo published between 1923 and 1942. It sought to identify transformations in meaning and forms of expressing that which is modern through the texts and images published. The object...

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Huvudupphovsman: Nery, Juliana Cardoso
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Publicerad: Universidad del Bío-Bío, Chile 2016
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spelling oai:ojs.revistas.ubiobio.cl:article-25312018-03-27T00:23:18Z From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942) Del “estylo” moderno a la arquitectura moderna: significados de lo moderno en las revistas brasileñas a casa y arquitetura e urbanismo (1923 y 1942) Nery, Juliana Cardoso modern architecture 20th century. history historiography magazines 20th century arquitectura moderna historia historia, historiografía historiografía revistas siglo XX. siglo XX This article is based on research that analyzed a corpus of 225 issues of the magazines A Casa and Arquitetura e Urbanismo published between 1923 and 1942. It sought to identify transformations in meaning and forms of expressing that which is modern through the texts and images published. The objective was to understand how this term that encompasses a wide variety of expressions became a hegemonic tendency clearly defined in Brazilian architecture, which even accep- ted the name Modern Movement in order to be identified. The modern “style” appears in Brazilian magazines beginning with the 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris, where different architectural displays were presented that were indistinctly identified as “modern” in the magazines analyzed. Ignored by most his- torical narratives, these varied expressions of modernity were responsible for conquering and fertilizing –largely due to the publication of specialized periodicals– a dry field in which would later flourish the exceptional and nationally and internationally celebrated works of modern Brazilian architecture with a Corbusian base.  Este artículo se basa en resultados de la investigación que analizó un corpus de 225 ediciones de las revistas A CASA y ARQUITETURA E URBANISMO, publicado entre 1923 y 1942, cuyo fin consistió en identificar a través de los textos e imáge- nes divulgados las transformaciones de los significados y formas de expresión de “lo moderno”. Se busca, de este modo, entender cómo este término que albergaba una gama diversificada de expresiones se convirtió en una línea hegemó- nica, bastante definida en la arquitectura brasileña, que incluso admitió la denominación de Movimiento Moderno para ser identificado. El “estylo” moderno aparece en las revistas brasileñas a partir de la Exposición de Artes Industriales y Decorativas Modernas de 1925 en París, donde se presentaron diversas manifestaciones arquitectónicas que fueron, por cierto, identificadas indistintamente como “modernas” en las revistas analizadas. Estas variadas expresiones de lo moder- no, ignoradas por la mayoría de las narrativas históricas, fueron precisamente las responsables de conquistar y fertilizar -en gran parte debido a publicaciones de revistas especializadas- un campo árido en el cual florecerían luego las excep- cionales obras de la arquitectura moderna brasileña de matriz corbusiana, celebradas a nivel nacional e internacional.  Universidad del Bío-Bío, Chile 2016-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.ubiobio.cl/index.php/AS/article/view/2531 ARQUITECTURAS DEL SUR; V.34, N.50 (Diciembre 2016): ARQUITECTURA PUBLICADA; 6-17 ARQUITECTURAS DEL SUR; V.34, N.50 (Diciembre 2016): ARQUITECTURA PUBLICADA; 6-17 ARQUITECTURAS DEL SUR; V.34, N.50 (Diciembre 2016): ARQUITECTURA PUBLICADA; 6-17 0719-6466 0716-2677 spa https://revistas.ubiobio.cl/index.php/AS/article/view/2531/2232
institution Universidad del Bío-Bío
collection OJS
language spa
format Online
author Nery, Juliana Cardoso
spellingShingle Nery, Juliana Cardoso
From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)
author_facet Nery, Juliana Cardoso
author_sort Nery, Juliana Cardoso
title From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)
title_short From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)
title_full From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)
title_fullStr From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)
title_full_unstemmed From modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)
title_sort from modern “style” to modern architecture: meanings of modern in the brazilian magazines a casa and arquitetura e urbanismo (1923- 1942)
description This article is based on research that analyzed a corpus of 225 issues of the magazines A Casa and Arquitetura e Urbanismo published between 1923 and 1942. It sought to identify transformations in meaning and forms of expressing that which is modern through the texts and images published. The objective was to understand how this term that encompasses a wide variety of expressions became a hegemonic tendency clearly defined in Brazilian architecture, which even accep- ted the name Modern Movement in order to be identified. The modern “style” appears in Brazilian magazines beginning with the 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris, where different architectural displays were presented that were indistinctly identified as “modern” in the magazines analyzed. Ignored by most his- torical narratives, these varied expressions of modernity were responsible for conquering and fertilizing –largely due to the publication of specialized periodicals– a dry field in which would later flourish the exceptional and nationally and internationally celebrated works of modern Brazilian architecture with a Corbusian base. 
publisher Universidad del Bío-Bío, Chile
publishDate 2016
url https://revistas.ubiobio.cl/index.php/AS/article/view/2531
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