The emergence of art in the contemporary city. Strategies of interruption and aestheticization of public space
Since the consolidation of modernity, the city is understood as a means of control strategy. This condition of the city can be explained from the idea of the project, related with the search of progress that defines modernity. In this context architecture and urban design are understood as planning...
Kaydedildi:
| Yazar: | |
|---|---|
| Materyal Türü: | Online |
| Dil: | spa |
| Baskı/Yayın Bilgisi: |
Universidad de Chile. Facultad de Arquitectura y Urbanismo
2014
|
| Online Erişim: | https://revistaurbanismo.uchile.cl/index.php/RU/article/view/30878 |
| Etiketler: |
Etiketle
Etiket eklenmemiş, İlk siz ekleyin!
|
| id |
oai:ojs.revistas.uchile.cl:article-30878 |
|---|---|
| record_format |
ojs |
| spelling |
oai:ojs.revistas.uchile.cl:article-308782021-07-05T16:23:01Z The emergence of art in the contemporary city. Strategies of interruption and aestheticization of public space La emergencia del arte en la ciudad contemporánea. Estrategias de interrupción y estetización en el espacio público Corvalán Tapia, Felipe Andrés Since the consolidation of modernity, the city is understood as a means of control strategy. This condition of the city can be explained from the idea of the project, related with the search of progress that defines modernity. In this context architecture and urban design are understood as planning tools, which guides the life in the city. On the other hand, the emergence of art in the public space can be characterized as a sign of strangeness that can activate our critical capability to perceive the city. In this framework, the following article, discusses the relationship between art and architecture in the Chilean context, confronting two concepts: interruption and aestheticization. A partir de la consolidación de la modernidad como paradigma de orden, la ciudad ha sido pensada como estrategia de control. Tal condición puede ser explicada a partir de la idea de proyecto, vinculada con la vocación de progreso que define a la modernidad. Así, la arquitectura y el diseño urbano son entendidos como una planificación que orienta los actos de la vida cotidiana. En la dirección contraria a lo anteriormente señalado podemos pensar la irrupción del arte en el espacio público. Una extrañeza que mediante su condición intempestiva activa un espesor crítico que nos re-sitúa al interior de la ciudad, interfiriendo en los imaginarios previamente consolidados. En el caso de Chile, reconocemos una fuerte vinculación entre arte y ciudad a partir de la década de los sesenta y hasta finales de los años ochenta. Sin embargo, a partir de la década de los noventa el arte chileno se repliega al espacio museal, distanciándose de la ciudad. Posteriormente, la década iniciada el año 2000 sugiere una recuperación del vínculo entre arte y espacio público, a partir del trabajo de Carolina Ruff, Julen Birke o Sebastián Preece y también a partir de la novedosa incursión de arquitectos interesados en la concepción de dispositivos que permiten una nueva percepción de lo cotidiano. Universidad de Chile. Facultad de Arquitectura y Urbanismo 2014-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistaurbanismo.uchile.cl/index.php/RU/article/view/30878 10.5354/ru.v16i30.30878 Revista de Urbanismo; Núm. 30 (2014): Junio; Pág. 2-14 Revista de Urbanismo; Núm. 30 (2014): Junio; Pág. 2-14 0717-5051 spa https://revistaurbanismo.uchile.cl/index.php/RU/article/view/30878/33766 |
| institution |
Universidad de Chile |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Corvalán Tapia, Felipe Andrés |
| spellingShingle |
Corvalán Tapia, Felipe Andrés The emergence of art in the contemporary city. Strategies of interruption and aestheticization of public space |
| author_facet |
Corvalán Tapia, Felipe Andrés |
| author_sort |
Corvalán Tapia, Felipe Andrés |
| title |
The emergence of art in the contemporary city. Strategies of interruption and aestheticization of public space |
| title_short |
The emergence of art in the contemporary city. Strategies of interruption and aestheticization of public space |
| title_full |
The emergence of art in the contemporary city. Strategies of interruption and aestheticization of public space |
| title_fullStr |
The emergence of art in the contemporary city. Strategies of interruption and aestheticization of public space |
| title_full_unstemmed |
The emergence of art in the contemporary city. Strategies of interruption and aestheticization of public space |
| title_sort |
emergence of art in the contemporary city. strategies of interruption and aestheticization of public space |
| description |
Since the consolidation of modernity, the city is understood as a means of control strategy. This condition of the city can be explained from the idea of the project, related with the search of progress that defines modernity. In this context architecture and urban design are understood as planning tools, which guides the life in the city. On the other hand, the emergence of art in the public space can be characterized as a sign of strangeness that can activate our critical capability to perceive the city. In this framework, the following article, discusses the relationship between art and architecture in the Chilean context, confronting two concepts: interruption and aestheticization. |
| publisher |
Universidad de Chile. Facultad de Arquitectura y Urbanismo |
| publishDate |
2014 |
| url |
https://revistaurbanismo.uchile.cl/index.php/RU/article/view/30878 |
| work_keys_str_mv |
AT corvalantapiafelipeandres theemergenceofartinthecontemporarycitystrategiesofinterruptionandaestheticizationofpublicspace AT corvalantapiafelipeandres laemergenciadelarteenlaciudadcontemporaneaestrategiasdeinterrupcionyestetizacionenelespaciopublico AT corvalantapiafelipeandres emergenceofartinthecontemporarycitystrategiesofinterruptionandaestheticizationofpublicspace |
| _version_ |
1709646439347388416 |