Kazuo Shinohara as a photographer. His travels and records.
A Japanese architect begins his second trip outside his native country. This experience is recorded by him through written accounts and photographs. The documents are posthumously published by a Spanish magazine, extending them with a postulate which is, at the least, questionable: “[T]hey reveal hi...
שמור ב:
| מחבר ראשי: | |
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| פורמט: | Online |
| שפה: | spa |
| יצא לאור: |
Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo”
2017
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| גישה מקוונת: | https://www.iaa.fadu.uba.ar/ojs/index.php/anales/article/view/208 |
| תגים: |
הוספת תג
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
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| סיכום: | A Japanese architect begins his second trip outside his native country. This experience is recorded by him through written accounts and photographs. The documents are posthumously published by a Spanish magazine, extending them with a postulate which is, at the least, questionable: “[T]hey reveal his curiosity about cultures and peoples that bore no relation to Japan”.1This work aims to research the materials that are available through a brief methodological exercise that realizes a possible mode of approach, which involves certain epistemological agreements to retrace the task.The premise is to jeopardize “diversity” as a fictional market value. |
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