Kazuo Shinohara as a photographer. His travels and records.
A Japanese architect begins his second trip outside his native country. This experience is recorded by him through written accounts and photographs. The documents are posthumously published by a Spanish magazine, extending them with a postulate which is, at the least, questionable: “[T]hey reveal hi...
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| Autore principale: | |
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| Natura: | Online |
| Lingua: | spa |
| Pubblicazione: |
Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo”
2017
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| Accesso online: | https://www.iaa.fadu.uba.ar/ojs/index.php/anales/article/view/208 |
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| Riassunto: | A Japanese architect begins his second trip outside his native country. This experience is recorded by him through written accounts and photographs. The documents are posthumously published by a Spanish magazine, extending them with a postulate which is, at the least, questionable: “[T]hey reveal his curiosity about cultures and peoples that bore no relation to Japan”.1This work aims to research the materials that are available through a brief methodological exercise that realizes a possible mode of approach, which involves certain epistemological agreements to retrace the task.The premise is to jeopardize “diversity” as a fictional market value. |
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