Carmen’s architecture

From the recently published Spanish travel book of Charles Garnier (1868), we propose to develop in this article Carmen’s architecture in a double sense. First, through the architecture that builds the romantic myth of a “España de pandereta” represented by the drama of the cigar maker of Seville. I...

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Tác giả chính: Martínez Nespral, Fernando Luis; Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo”. Facultad de Arquitectura, Diseño y Urbanismo. Universidad de Buenos Aires (IAA-FADU-UBA). Intendente Güiraldes 2160. Ciudad Universitaria, Pabellón III, 4º piso. Ciudad Autónoma de Buenos Aires.
Định dạng: Online
Ngôn ngữ:spa
Được phát hành: Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo” 2017
Truy cập trực tuyến:https://www.iaa.fadu.uba.ar/ojs/index.php/anales/article/view/215
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Tóm tắt:From the recently published Spanish travel book of Charles Garnier (1868), we propose to develop in this article Carmen’s architecture in a double sense. First, through the architecture that builds the romantic myth of a “España de pandereta” represented by the drama of the cigar maker of Seville. In parallel, we will cover the architectural facet of that myth from the privileged view of the famous architect of the Paris Opera house and its focus on Spanish architecture and cities of the mid-19th century.