Helmut Federle’s painting and its role in recent Swiss architecture

Helmut Federle’s painting and its role in recent Swiss architecture

This article presents the work of the Swiss painter Helmut Federle, which hides, behind an apparent geometric minimalism, a complexity based on sensorial nuances, symbolic references and wanted contradictions. In addition to his individual artistic work, Federle has done several works in collaborati...

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Autores principales: Fernández-Morales, Angélica, Bigas Vidal, Montserrat, Bravo Farré, Luis
Formato: Online
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Publicado: Unisinos 2013
Acceso en línea:https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2013.91.06
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spelling oai:ojs.www.unisinos.br:article-34392021-08-30T19:09:20Z Helmut Federle’s painting and its role in recent Swiss architecture La pintura de Helmut Federle y su papel en la arquitectura suiza reciente La pintura de Helmut Federle y su papel en la arquitectura suiza reciente Fernández-Morales, Angélica Bigas Vidal, Montserrat Bravo Farré, Luis This article presents the work of the Swiss painter Helmut Federle, which hides, behind an apparent geometric minimalism, a complexity based on sensorial nuances, symbolic references and wanted contradictions. In addition to his individual artistic work, Federle has done several works in collaboration with some architects, such as Herzog & de Meuron, Roger Diener or Adolf Krischanitz. There are important connections between the artist’s paintings and their architecture, which is demonstrated by analysing comparatively the work of both painter and architects, their theoretical arguments, as well as their mutual contributions, and of course their drawings, understood in both cases as a tool for experimentation and spontaneous ideation.Key words: Federle, painting, minimalism, Herzog and de Meuron, Zumthor. En este artículo se presenta la obra del pintor suizo Helmut Federle, que tras un aparente minimalismo geométrico esconde una complejidad basada en los matices sensoriales, las referencias simbólicas y las contradicciones provocadas. Además de su obra artística individual, Federle ha realizado varios trabajos en colaboración con algunos arquitectos, como Herzog y de Meuron, Adolf Krischanitz o Roger Diener. Existen importantes conexiones entre la obra pictórica del artista y la arquitectura de éstos, lo cual se demuestra analizando comparativamente la obra del pintor y de los arquitectos, sus respectivas argumentaciones teóricas, así como sus mutuas aportaciones; y por supuesto sus dibujos, entendidos en ambos casos como un instrumento de experimentación e ideación espontánea.Palabras clave: Federle, pintura, minimalismo, Herzog y de Meuron, Zumthor. En este artículo se presenta la obra del pintor suizo Helmut Federle, que tras un aparente minimalismo geométrico esconde una complejidad basada en los matices sensoriales, las referencias simbólicas y las contradicciones provocadas. Además de su obra artística individual, Federle ha realizado varios trabajos en colaboración con algunos arquitectos, como Herzog y de Meuron, Adolf Krischanitz o Roger Diener. Existen importantes conexiones entre la obra pictórica del artista y la arquitectura de éstos, lo cual se demuestra analizando comparativamente la obra del pintor y de los arquitectos, sus respectivas argumentaciones teóricas, así como sus mutuas aportaciones; y por supuesto sus dibujos, entendidos en ambos casos como un instrumento de experimentación e ideación espontánea.Palabras clave: Federle, pintura, minimalismo, Herzog y de Meuron, Zumthor. Unisinos 2013-08-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2013.91.06 10.4013/arq.2013.91.06 Arquitetura Revista; v. 9 n. 1 (2013): Jan-Jun; 62-71 1808-5741 spa https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2013.91.06/1554
institution Universidad de Vale do Rio dos Sinos (UNISINOS)
collection OJS
language spa
format Online
author Fernández-Morales, Angélica
Bigas Vidal, Montserrat
Bravo Farré, Luis
spellingShingle Fernández-Morales, Angélica
Bigas Vidal, Montserrat
Bravo Farré, Luis
Helmut Federle’s painting and its role in recent Swiss architecture
author_facet Fernández-Morales, Angélica
Bigas Vidal, Montserrat
Bravo Farré, Luis
author_sort Fernández-Morales, Angélica
title Helmut Federle’s painting and its role in recent Swiss architecture
title_short Helmut Federle’s painting and its role in recent Swiss architecture
title_full Helmut Federle’s painting and its role in recent Swiss architecture
title_fullStr Helmut Federle’s painting and its role in recent Swiss architecture
title_full_unstemmed Helmut Federle’s painting and its role in recent Swiss architecture
title_sort helmut federle’s painting and its role in recent swiss architecture
description This article presents the work of the Swiss painter Helmut Federle, which hides, behind an apparent geometric minimalism, a complexity based on sensorial nuances, symbolic references and wanted contradictions. In addition to his individual artistic work, Federle has done several works in collaboration with some architects, such as Herzog & de Meuron, Roger Diener or Adolf Krischanitz. There are important connections between the artist’s paintings and their architecture, which is demonstrated by analysing comparatively the work of both painter and architects, their theoretical arguments, as well as their mutual contributions, and of course their drawings, understood in both cases as a tool for experimentation and spontaneous ideation.Key words: Federle, painting, minimalism, Herzog and de Meuron, Zumthor.
publisher Unisinos
publishDate 2013
url https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2013.91.06
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