The Plan as Eidos: Bramante’s Half-Drawing and Durand’s Marche
ABSTRACTBy confronting Bramante’s plan for St Peter Basilica (1503) with Durand’s “Method of Composition” - summarized in his Marche plate (1802) - a modern conceptualisation of the plan unfolds which can be explained through the philosophical notion of eidos: the Greek term for “idea”, “form” and “...
Wedi'i Gadw mewn:
Prif Awdur: | Celedón, Alejandra |
---|---|
Fformat: | Online |
Iaith: | spa |
Cyhoeddwyd: |
Universidad de Costa Rica
2014
|
Mynediad Ar-lein: | https://revistas.ucr.ac.cr/index.php/revistarquis/article/view/16959 |
Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
Eitemau Tebyg
-
The Sense of Drawing. Drawing, Designing, Building: Indistinguishable Tasks
gan: Montiel Zacarías, Marco
Cyhoeddwyd: (2020) -
The other half of Quinta Monroy
gan: Millones Segovia, Yessenia
Cyhoeddwyd: (2017) -
Drawing to understand and remember: the portuguese architecture in the hand drawing of Lucio Costa
gan: Pessôa, José Simões
Cyhoeddwyd: (2018) -
Half a century of social housing in Cuba
gan: González Couret, Dania
Cyhoeddwyd: (2009) -
AS THE DAWN DRAWS EVER NEARER
gan: Schlör, Joachim
Cyhoeddwyd: (2016)