The Plan as Eidos: Bramante’s Half-Drawing and Durand’s Marche
ABSTRACTBy confronting Bramante’s plan for St Peter Basilica (1503) with Durand’s “Method of Composition” - summarized in his Marche plate (1802) - a modern conceptualisation of the plan unfolds which can be explained through the philosophical notion of eidos: the Greek term for “idea”, “form” and “...
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| 第一著者: | |
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| フォーマット: | Online |
| 言語: | spa |
| 出版事項: |
Universidad de Costa Rica
2014
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| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/revistarquis/article/view/16959 |
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