One’s home and other’s home: Visions of houses from the inside in films
This article explores the dimensions of the artistic cliché of the inside of houses in contemporary film –as of the fundamental referent of Rear Window (1954) by Alfred Hitchcock– in: Kika (1993) by Pedro Almodóvar, Animals ferits (2006) by Venutra Pons, El hombre de al lado (2009) by Mariano Cohn &...
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| 第一著者: | |
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| フォーマット: | Online |
| 言語: | spa |
| 出版事項: |
Universidad de Costa Rica
2019
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| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/revistarquis/article/view/37927 |
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