A transgressão do "popular" na década de 60: os Parangolés e a Tropicália de Hélio Oiticica
The essay studies the relationship of the artist Hélio Oiticica with "folk" aspects of Brazilian culture in the years between 1964 and 1968, as expressed in some of his texts and art works. Often despised as archaic or idealized as folklore, the images of "people" in Brazil have...
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| 主要作者: | |
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| 格式: | Online |
| 语言: | por |
| 出版: |
Universidade de São Paulo. Instituto de Arquitetura e Urbanismo
2006
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| 在线阅读: | https://www.revistas.usp.br/risco/article/view/44659 |
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| 总结: | The essay studies the relationship of the artist Hélio Oiticica with "folk" aspects of Brazilian culture in the years between 1964 and 1968, as expressed in some of his texts and art works. Often despised as archaic or idealized as folklore, the images of "people" in Brazil have always been made by the sight of dominant "official" culture. Linked to the sixties' politic-cultural context, Oiticica's "anti-art" was one of the artistic manifestations that stood against the simultaneous idealization and exclusion of the folk culture, rather searching to understand and assimilate its creative and subversive potential. Passing through both social and artistic establishment, that attitude would oppose to populist bias and images of Brazil. |
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