A transgressão do "popular" na década de 60: os Parangolés e a Tropicália de Hélio Oiticica

The essay studies the relationship of the artist Hélio Oiticica with "folk" aspects of Brazilian culture in the years between 1964 and 1968, as expressed in some of his texts and art works. Often despised as archaic or idealized as folklore, the images of "people" in Brazil have...

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Gorde:
Xehetasun bibliografikoak
Egile nagusia: Souza, Gabriel Girnos Elias de
Formatua: Online
Hizkuntza:por
Argitaratua: Universidade de São Paulo. Instituto de Arquitetura e Urbanismo 2006
Sarrera elektronikoa:https://www.revistas.usp.br/risco/article/view/44659
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