Os Candangos
The "Os Candangos", monument by Bruno Giorgi, is a symbol of Brasilia, printed on the shirts of tourists. It inspired advertisements and poetic compositions like the Alvodada Symphony and it became immediately one of the symbols of the capital, along with the columns of the Palácio da Alvo...
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| Formato: | Online |
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Universidade de São Paulo. Instituto de Arquitetura e Urbanismo
2008
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| Acesso em linha: | https://www.revistas.usp.br/risco/article/view/44721 |
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oai:revistas.usp.br:article-447212021-01-03T00:12:27Z Os Candangos Os Candangos Videsott, Luisa Bruno Giorgi candango Brasília Bruno Giorgi Brasilia candango The "Os Candangos", monument by Bruno Giorgi, is a symbol of Brasilia, printed on the shirts of tourists. It inspired advertisements and poetic compositions like the Alvodada Symphony and it became immediately one of the symbols of the capital, along with the columns of the Palácio da Alvorada and the two domes with the twin towers of the Congress. By "interrogating" the statue, the article investigates his meaning and speaks about the complexity of the capital's construction. We start by watching the evolution of the word "candango" and the process that removed the first name of the Bruno Giorgi's work: "Warriors"; then, "conversing" with its author's memories and with the initial idea of placing the sculpture in front of the Government Palace, we try to understand its original message. Finally, we analyse the sculpture's composition, the reference works and those suggested, and we describe the difficulties of investigating the identity of the workers who built Brasilia. O monumento "Os Candangos", de Bruno Giorgi é um símbolo de Brasília. Inspirou desde propagandas até a letra da "Sinfonia da Alvorada", servindo de emblema da nova capital, como as colunas do Palácio da Alvorada ou a arquitetura do Congresso Nacional. O artigo indaga o significado da escultura na construção da capital. Inicia observando a evolução da palavra candango e o processo de re/nomeação da obra, "conversa" com o depoimento de seu autor, indaga o significado da sua colocação original, analisa a composição, as obras às quais se refere e pergunta sobre a identidade dos trabalhadores que edificaram Brasília. Universidade de São Paulo. Instituto de Arquitetura e Urbanismo 2008-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.revistas.usp.br/risco/article/view/44721 10.11606/issn.1984-4506.v0i7p21-38 Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online); Nr. 7 (2008); 21-38 Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online); 编号 7 (2008); 21-38 Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online); n. 7 (2008); 21-38 Risco - Revue de Recherche en Architecture et Urbanisme; No 7 (2008); 21-38 Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online); № 7 (2008); 21-38 Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online); ##issue.no## 7 (2008); 21-38 Risco - Journal of Architecture and Urbanism; No. 7 (2008); 21-38 Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online); N. 7 (2008); 21-38 Risco - Revista de Investigación en Arquitectura y Urbanismo; Núm. 7 (2008); 21-38 1984-4506 por https://www.revistas.usp.br/risco/article/view/44721/48351 |
| institution |
Universidade de São Paulo |
| collection |
OJS |
| language |
por |
| format |
Online |
| author |
Videsott, Luisa |
| spellingShingle |
Videsott, Luisa Os Candangos |
| author_facet |
Videsott, Luisa |
| author_sort |
Videsott, Luisa |
| title |
Os Candangos |
| title_short |
Os Candangos |
| title_full |
Os Candangos |
| title_fullStr |
Os Candangos |
| title_full_unstemmed |
Os Candangos |
| title_sort |
os candangos |
| description |
The "Os Candangos", monument by Bruno Giorgi, is a symbol of Brasilia, printed on the shirts of tourists. It inspired advertisements and poetic compositions like the Alvodada Symphony and it became immediately one of the symbols of the capital, along with the columns of the Palácio da Alvorada and the two domes with the twin towers of the Congress. By "interrogating" the statue, the article investigates his meaning and speaks about the complexity of the capital's construction. We start by watching the evolution of the word "candango" and the process that removed the first name of the Bruno Giorgi's work: "Warriors"; then, "conversing" with its author's memories and with the initial idea of placing the sculpture in front of the Government Palace, we try to understand its original message. Finally, we analyse the sculpture's composition, the reference works and those suggested, and we describe the difficulties of investigating the identity of the workers who built Brasilia. |
| publisher |
Universidade de São Paulo. Instituto de Arquitetura e Urbanismo |
| publishDate |
2008 |
| url |
https://www.revistas.usp.br/risco/article/view/44721 |
| work_keys_str_mv |
AT videsottluisa oscandangos |
| _version_ |
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