An investigation on the limitations of photographic printing systems for fine art reproduction: a comparison of perceptual and colorimetric rendering intents
Since all methods of photographic reproduction (ink on paper) result in losses in relation to the captured scene (light), this paper investigated the technical possibilities of photo reproduction – also known as “fine art” – minimizing losses in this process. The investigation used inkjet systems, w...
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| 主要作者: | |
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| 格式: | Online |
| 语言: | por |
| 出版: |
Universidade de São Paulo. Faculdade de Arquitetura e Urbanismo.
2015
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| 在线阅读: | https://www.revistas.usp.br/posfau/article/view/90262 |
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| 总结: | Since all methods of photographic reproduction (ink on paper) result in losses in relation to the captured scene (light), this paper investigated the technical possibilities of photo reproduction – also known as “fine art” – minimizing losses in this process. The investigation used inkjet systems, with 10 colors and a Raster Image Processor (RIP) dedicated to rasterization and color management. The printed samples where made using museum-quality and high-permanence Rag Photographie Canson 310g paper, made of cotton fibers and suitable for photographic reproduction. Calibrations followed practices set by the manufacturer and produced outputs for subjective assessment of quality of reproduction and objective colorimetric reproduction fidelity. The changes took place in the use of two different rendering intents: relative colorimetric and perceptual. |
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