The lost steps and abandoned houses: “The rose seller”

From Victor Gaviria ́s conception about his work which he has called “realism with witnesses”, to the discovery of a unique ethos that has been carried to recognize himself  “as a snail that is leaving its home everywhere”. From the opening scene of The rose seller in which we see La Iguaná neighbo...

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Autor principal: Echeverry Rengifo, Diego Rodrigo
Formato: Online
Lenguaje:spa
Publicado: Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio 2018
Acceso en línea:https://revistas.unal.edu.co/index.php/bitacora/article/view/52101
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