Valuing the 'heritageable': popular habitat and cultural heritage

In the current debate about cultural heritage, there are three main recognized directions through which public policy guides the criteria of valorization: the primacy of aesthetics and the multiplication of categories of goods; the identity meaning and the recovery of a unitary conception of cultura...

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Principais autores: Fracasso, Liliana, Mesa García, Sandra C.
Formato: Online
Idioma:spa
Publicado em: Universidad de Boyacá 2019
Acesso em linha:https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/402
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spelling ojs-article-4022019-12-05T22:09:08Z Valuing the 'heritageable': popular habitat and cultural heritage Valorar lo patrimoniable: hábitat popular y patrimonio cultural Fracasso, Liliana Mesa García, Sandra C. Cultural heritage Popular habitat Heritageable Axiology Patrimonio cultural Hábitat popular Patrimoniable Axiología In the current debate about cultural heritage, there are three main recognized directions through which public policy guides the criteria of valorization: the primacy of aesthetics and the multiplication of categories of goods; the identity meaning and the recovery of a unitary conception of cultural heritage; and finally, the commercial value of cultural heritage. This article presents a reflection, derived from a multiannual research process, arguing the importance of a fourth direction of cultural heritage that public policy should undertake and harmonize with the other three, that of the “heritageable”, that differs from rationally and numerically calculated quantities based on tourist flows or normative standardization. The “heritageable”, explored by collaborative artistic practices, acquires meaning mainly in-situ through participatory and co-elaborative processes. The research guided towards the construction of a complex axiological system, based on qualitative indicators and empirical data emerging through artistic practices, produce information essentially as statements of social and political subjectivities. En el debate internacional rigen tres direcciones principales que orientan los criterios de valoración y valorización del patrimonio cultural mundial: la estética y la propagación de categorías de bienes patrimoniales; el significado identitario para la recuperación de una concepción unitaria del patrimonio cultural, a menudo improbable; y finalmente, el valor mercantil del patrimonio cultural, aprovechado principalmente en los circuitos turísticos. Este artículo de reflexión argumenta la importancia de considerar la pertinencia de una cuarta dirección del patrimonio cultural, que podría emprenderse en la política pública nacional para armonizar las otras tres y acercarlas a la realidad urbana y al mundo ordinario en Colombia. Se propone la dirección de lo patrimoniable, cuya valoración nace desde abajo hacia arriba y difiere de otras lógicas interesadas en las cantidades calculadas con base en flujos turísticos o la normativización de estándares. Lo patrimoniable emerge de las prácticas, sociales, estéticas, artísticas, y adquiere significado in situ a partir de procesos participativos y colaborativos. La propuesta se encamina hacia la construcción de un sistema axiológico complejo, que parte de indicadores cualitativos y datos empíricos considerados como valor de contexto y enunciados de subjetivación social y política. Universidad de Boyacá 2019-09-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/402 10.24267/22564004.402 Designia; Vol. 6 No. 2 (2019): Revista Designia | Enero - Junio 2019; 85-115 Designia; Vol. 6 Núm. 2 (2019): Revista Designia | Enero - Junio 2019; 85-115 2539-147X 2256-4004 spa https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/402/455 Derechos de autor 2019 Designia
institution Universidad de Boyacá
collection OJS
language spa
format Online
author Fracasso, Liliana
Mesa García, Sandra C.
spellingShingle Fracasso, Liliana
Mesa García, Sandra C.
Valuing the 'heritageable': popular habitat and cultural heritage
author_facet Fracasso, Liliana
Mesa García, Sandra C.
author_sort Fracasso, Liliana
title Valuing the 'heritageable': popular habitat and cultural heritage
title_short Valuing the 'heritageable': popular habitat and cultural heritage
title_full Valuing the 'heritageable': popular habitat and cultural heritage
title_fullStr Valuing the 'heritageable': popular habitat and cultural heritage
title_full_unstemmed Valuing the 'heritageable': popular habitat and cultural heritage
title_sort valuing the 'heritageable': popular habitat and cultural heritage
description In the current debate about cultural heritage, there are three main recognized directions through which public policy guides the criteria of valorization: the primacy of aesthetics and the multiplication of categories of goods; the identity meaning and the recovery of a unitary conception of cultural heritage; and finally, the commercial value of cultural heritage. This article presents a reflection, derived from a multiannual research process, arguing the importance of a fourth direction of cultural heritage that public policy should undertake and harmonize with the other three, that of the “heritageable”, that differs from rationally and numerically calculated quantities based on tourist flows or normative standardization. The “heritageable”, explored by collaborative artistic practices, acquires meaning mainly in-situ through participatory and co-elaborative processes. The research guided towards the construction of a complex axiological system, based on qualitative indicators and empirical data emerging through artistic practices, produce information essentially as statements of social and political subjectivities.
publisher Universidad de Boyacá
publishDate 2019
url https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/402
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AT mesagarciasandrac valorarlopatrimoniablehabitatpopularypatrimoniocultural
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