Memory, event, object and place: Memory, event, object and place
In this investigation, carried out to be presented at the Ernesto Restrepo Tirado Annual Chair of History, of the National Museum, Bogotá, Colombia, an attempt is made to review the dualities space / place; history / memory; and official story / multiple stories, based on the following hypothesis: 1...
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Corporación Universitaria del Caribe, CECAR.
2019
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ojs-article-4532020-04-08T14:59:18Z Memory, event, object and place: Memory, event, object and place Memoria, acontecimiento, objeto y lugar: Memory, event, object and place Memória, evento, objeto e local: Memória, evento, objeto e local Pérgolis Valsecchi, Juan Carlos Quijano Gómez, Estefanía Place Event History Memory Stories Object Lugar Acontecimiento Historia Memoria Relatos Objeto Lugar Evento História Memória Histórias Objeto In this investigation, carried out to be presented at the Ernesto Restrepo Tirado Annual Chair of History, of the National Museum, Bogotá, Colombia, an attempt is made to review the dualities space / place; history / memory; and official story / multiple stories, based on the following hypothesis: 1. Events convert spaces into places, therefore, into “places of memory”; 2. History proposes a unique official account; memory draws on multiple stories. In this text, these hypotheses are observed in three places: the historic Puente de Boyacá, the Puente del Común and the urban bridge at 116th Street with Boyacá Avenue, in Bogotá. To conclude, they are observed in graffiti, as an ephemeral memory exercise; and at the Prometeo de la Libertad monument, by Arenas Betancourt, in Ciénaga, Magdalena. Finally, a reflection on the presence of the object of the memory is attempted, through the intervention on the pier of Puerto Colombia, Atlántico. En esta investigación, realizada para ser presentada en la Cátedra Anual de Historia Ernesto Restrepo Tirado, del Museo Nacional, Bogotá, Colombia, se intenta revisar las dualidades espacio / lugar, historia / memoria y relato oficial / múltiples relatos, a partir de las siguientes hipótesis: 1. Los acontecimientos convierten los espacios en lugares, por lo tanto, en “lugares de memoria”; 2. La historia propone un relato oficial único; la memoria se nutre de múltiples relatos. En este texto, se observan esas hipótesis en tres lugares: el histórico Puente de Boyacá, el Puente del Común y el puente urbano de la calle 116 con Avenida Boyacá, en Bogotá. Para concluir, se observan en el graffiti, como ejercicio de memoria efímera; y en el monumento Prometeo de la Libertad, del maestro Arenas Betancourt, en Ciénaga, Magdalena. Finalmente, se intenta una reflexión sobre la presencia del objeto de la memoria, a través de la intervención en el muelle de Puerto Colombia, Atlántico. Nesta investigação, realizada para ser apresentada na Cadeira Anual de História de Ernesto Restrepo Tirado, do Museu Nacional, Bogotá, Colômbia, tentamos revisar as dualidades espaço / lugar; memória / história; e história oficial / várias histórias; a partir das seguintes hipóteses: 1. Os eventos convertem espaços em lugares, portanto, em “lugares da memória”; 2. A história propõe uma conta oficial única; a memória se baseia em várias histórias. Neste texto, essas hipóteses são observadas em três locais: a histórica Puente de Boyacá, a Puente del Común e a ponte urbana da 116th Street com a Avenida Boyacá, em Bogotá. Para concluir, eles são observados no graffiti, como um exercício efêmero de memória; e no monumento do Prometeo de la Libertad, por Arenas Betancourt, em Ciénaga, Magdalena. Por fim, tenta-se refletir sobre a presença do objeto da memória, através da intervenção no píer de Puerto Colombia, Atlántico. Corporación Universitaria del Caribe, CECAR. 2019-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf application/epub+zip https://revistas.cecar.edu.co/index.php/procesos-urbanos/article/view/453 Procesos Urbanos; Vol. 6 (2019): 06 PROCESOS URBANOS; 13-21 Procesos Urbanos; Vol. 6 (2019): 06 PROCESOS URBANOS; 13-21 Procesos Urbanos; v. 6 (2019): 06 PROCESOS URBANOS; 13-21 2500-5200 2422-085X spa https://revistas.cecar.edu.co/index.php/procesos-urbanos/article/view/453/460 https://revistas.cecar.edu.co/index.php/procesos-urbanos/article/view/453/461 https://creativecommons.org/licenses/by-nc-sa/4.0 |
institution |
Corporación Universitaria del Caribe |
collection |
OJS |
language |
spa |
format |
Online |
author |
Pérgolis Valsecchi, Juan Carlos Quijano Gómez, Estefanía |
spellingShingle |
Pérgolis Valsecchi, Juan Carlos Quijano Gómez, Estefanía Memory, event, object and place: Memory, event, object and place |
author_facet |
Pérgolis Valsecchi, Juan Carlos Quijano Gómez, Estefanía |
author_sort |
Pérgolis Valsecchi, Juan Carlos |
title |
Memory, event, object and place: Memory, event, object and place |
title_short |
Memory, event, object and place: Memory, event, object and place |
title_full |
Memory, event, object and place: Memory, event, object and place |
title_fullStr |
Memory, event, object and place: Memory, event, object and place |
title_full_unstemmed |
Memory, event, object and place: Memory, event, object and place |
title_sort |
memory, event, object and place: memory, event, object and place |
description |
In this investigation, carried out to be presented at the Ernesto Restrepo Tirado Annual Chair of History, of the National Museum, Bogotá, Colombia, an attempt is made to review the dualities space / place; history / memory; and official story / multiple stories, based on the following hypothesis: 1. Events convert spaces into places, therefore, into “places of memory”; 2. History proposes a unique official account; memory draws on multiple stories. In this text, these hypotheses are observed in three places: the historic Puente de Boyacá, the Puente del Común and the urban bridge at 116th Street with Boyacá Avenue, in Bogotá. To conclude, they are observed in graffiti, as an ephemeral memory exercise; and at the Prometeo de la Libertad monument, by Arenas Betancourt, in Ciénaga, Magdalena. Finally, a reflection on the presence of the object of the memory is attempted, through the intervention on the pier of Puerto Colombia, Atlántico. |
publisher |
Corporación Universitaria del Caribe, CECAR. |
publishDate |
2019 |
url |
https://revistas.cecar.edu.co/index.php/procesos-urbanos/article/view/453 |
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