The plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia.
The disciplinary origins of design are resumed based on the dichotomy between the creative logics of an academic and the logics of a common man without academic training as a project architect. The investigative exercise has allowed to recognize that "built-in" cultural practices and colle...
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Universidad Católica de Colombia
2016
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oai:editorial.ucatolica.edu.co:article-1082020-07-27T17:34:42Z The plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia. El plan, acto mesiánico del proyectista : la situación histórica del diseño en la utopía modernizante. Mejía-Amézquita, Valentina Grisales-Vargas, Adolfo León modern architecture creation architectural criticism design cultural project arquitectura moderna creación crítica arquitectónica diseño proyecto cultural The disciplinary origins of design are resumed based on the dichotomy between the creative logics of an academic and the logics of a common man without academic training as a project architect. The investigative exercise has allowed to recognize that "built-in" cultural practices and collective bets, understood as an intention approved by a social group, can be seen as the substrate that determines the logics of the projective task that transforms the world. These assumptions were decisive at the moment of establishing the position that would define design as a "third area of human knowledge" from the twentieth century until today. The result of this research invites the reader to take a critical stance against the role of design seen as a discipline that oscillates between what is conceived from the logic of the trained project architect and what is completed by the hands of the worker, in a scenario of multiplicity of de facto coexistences that juxtapose one with the other in concrete places and in determined times. Se retoman los orígenes disciplinados del diseño desde la dicotomía entre las lógicas creativas del académico y las de un hombre común sin formación académica como proyectista. El ejercicio investigativo nos ha permitido avizorar que las prácticas culturales "incorporadas" y las apuestas colectivas, entendidas como intención consentida por un grupo social, pueden ser comprendidas como el sustrato que determina las lógicas del quehacer proyectivo transformador de mundo. Estos supuestos fueron determinantes en el momento de establecer la postura que habría de definir el diseño como una "tercera área del saber humano" desde el siglo XX hasta hoy. El resultado de esta pesquisa invita a asumir una postura crítica frente al rol del diseño visto como una disciplina que oscila entre el mundo de lo ideado desde las lógicas del proyectista disciplinado y el mundo de lo realizado en manos del obrador, en el escenario de la multiplicidad de coexistencias de facto que yuxtaponen lo uno con lo otro en lugares precisos y en tiempos determinados. Universidad Católica de Colombia 2016-11-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip application/xml https://revistadearquitectura.ucatolica.edu.co/article/view/108 10.14718/RevArq.2016.18.2.7 Revista de Arquitectura; Vol. 18 No. 2 (2016): July - December; 71-81 Revista de Arquitectura (Bogotá); Vol. 18 Núm. 2 (2016): Julio - diciembre; 71-81 Revista de Arquitectura; Vol. 18 No. 2 (2016): Julio - diciembre; 71-81 Revista de Arquitectura; v. 18 n. 2 (2016): Julho ? dezembro; 71-81 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/108/pdf%2018207 https://revistadearquitectura.ucatolica.edu.co/article/view/108/1273 https://revistadearquitectura.ucatolica.edu.co/article/view/108/epub_es https://revistadearquitectura.ucatolica.edu.co/article/view/108/1444 Derechos de autor 2017 Valentina Mejía-Amézquita info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Colombia |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Mejía-Amézquita, Valentina Grisales-Vargas, Adolfo León |
| spellingShingle |
Mejía-Amézquita, Valentina Grisales-Vargas, Adolfo León The plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia. |
| author_facet |
Mejía-Amézquita, Valentina Grisales-Vargas, Adolfo León |
| author_sort |
Mejía-Amézquita, Valentina |
| title |
The plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia. |
| title_short |
The plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia. |
| title_full |
The plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia. |
| title_fullStr |
The plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia. |
| title_full_unstemmed |
The plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia. |
| title_sort |
plan, a messianic act of the project architect : the historical situation of design in the modernizing utopia. |
| description |
The disciplinary origins of design are resumed based on the dichotomy between the creative logics of an academic and the logics of a common man without academic training as a project architect. The investigative exercise has allowed to recognize that "built-in" cultural practices and collective bets, understood as an intention approved by a social group, can be seen as the substrate that determines the logics of the projective task that transforms the world. These assumptions were decisive at the moment of establishing the position that would define design as a "third area of human knowledge" from the twentieth century until today. The result of this research invites the reader to take a critical stance against the role of design seen as a discipline that oscillates between what is conceived from the logic of the trained project architect and what is completed by the hands of the worker, in a scenario of multiplicity of de facto coexistences that juxtapose one with the other in concrete places and in determined times. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2016 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/108 |
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