Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case.
The evolution of cinematographic projection rooms has been studied in a fragmented way according to geographic regions or styles and without establishing relations to the improvements experienced by the motion pictures themselves and the requirements for their exhibition. Based on a bibliographical...
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| বিন্যাস: | Online |
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Universidad Católica de Colombia
2016
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| অনলাইন ব্যবহার করুন: | https://revistadearquitectura.ucatolica.edu.co/article/view/109 |
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oai:editorial.ucatolica.edu.co:article-1092020-07-27T17:29:18Z Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case. Evolución paralela del relato fílmico y la arquitectura de los cines entre 1900 y 1930 : atención especial al caso español. Lavilla-Iribarren, Ana C. film industry Odeon pavilions show rooms functionalist architecture arquitectura funcionalista industria cinematográfica Odeón pabellones salas de espectáculos The evolution of cinematographic projection rooms has been studied in a fragmented way according to geographic regions or styles and without establishing relations to the improvements experienced by the motion pictures themselves and the requirements for their exhibition. Based on a bibliographical revision of specialized journals and a database search in archives and film libraries of different European cities, this article explores the concordance between the progress made in filmography and movie theaters, from the first experimental movies in the early twentieth century exhibited in street fairs, to the great blockbusters of the 1930s projected in cinema palaces. A special attention is given to the movie theaters built in Spain, which served as a vehicle for the introduction and consolidation of avantgarde styles in the Iberian peninsula. La evolución de las salas para la proyección cinematográfica ha sido estudiada de manera fragmentada atendiendo a regiones geográficas o estilos, y sin establecer relaciones con el perfeccionamiento experimentado por las propias películas y los requerimientos para su exhibición. A partir de la revisión bibliográfica de publicaciones periódicas especializadas, y la consulta de bases de datos en archivos y filmotecas de distintas ciudades europeas, el presente artículo explora la concordancia entre el progreso acontecido en la filmografia y los cinematógrafos, desde las primeras cintas experimentales de principios del siglo XX exhibidas en las ferias ambulantes, hasta las grandes superproducciones de los años treinta proyectadas en los palacios para el cine. Se prestará un especial interés a los cines construidos en España, que sirvieron como vehículo de entrada y consolidación de los estilos vanguardistas en la península ibérica. Universidad Católica de Colombia 2016-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip application/xml application/zip https://revistadearquitectura.ucatolica.edu.co/article/view/109 10.14718/RevArq.2016.18.2.6 Revista de Arquitectura; Vol. 18 No. 2 (2016): July - December; 60-70 Revista de Arquitectura (Bogotá); Vol. 18 Núm. 2 (2016): Julio - diciembre; 60-70 Revista de Arquitectura; Vol. 18 No. 2 (2016): Julio - diciembre; 60-70 Revista de Arquitectura; v. 18 n. 2 (2016): Julho ? dezembro; 60-70 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/109/pdf%2018206 https://revistadearquitectura.ucatolica.edu.co/article/view/109/1220 https://revistadearquitectura.ucatolica.edu.co/article/view/109/epub_es https://revistadearquitectura.ucatolica.edu.co/article/view/109/1442 https://revistadearquitectura.ucatolica.edu.co/article/view/109/2751 Derechos de autor 2016 Ana C. Lavilla-Iribarren info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Colombia |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Lavilla-Iribarren, Ana C. |
| spellingShingle |
Lavilla-Iribarren, Ana C. Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case. |
| author_facet |
Lavilla-Iribarren, Ana C. |
| author_sort |
Lavilla-Iribarren, Ana C. |
| title |
Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case. |
| title_short |
Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case. |
| title_full |
Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case. |
| title_fullStr |
Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case. |
| title_full_unstemmed |
Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case. |
| title_sort |
parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case. |
| description |
The evolution of cinematographic projection rooms has been studied in a fragmented way according to geographic regions or styles and without establishing relations to the improvements experienced by the motion pictures themselves and the requirements for their exhibition. Based on a bibliographical revision of specialized journals and a database search in archives and film libraries of different European cities, this article explores the concordance between the progress made in filmography and movie theaters, from the first experimental movies in the early twentieth century exhibited in street fairs, to the great blockbusters of the 1930s projected in cinema palaces. A special attention is given to the movie theaters built in Spain, which served as a vehicle for the introduction and consolidation of avantgarde styles in the Iberian peninsula. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2016 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/109 |
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