Parallel evolution of cinematographic stories and the architecture of cinemas between 1900 and 1930 : with a special attention to the spanish case.
The evolution of cinematographic projection rooms has been studied in a fragmented way according to geographic regions or styles and without establishing relations to the improvements experienced by the motion pictures themselves and the requirements for their exhibition. Based on a bibliographical...
Сохранить в:
Главный автор: | Lavilla-Iribarren, Ana C. |
---|---|
Формат: | Online |
Язык: | spa |
Опубликовано: |
Universidad Católica de Colombia
2016
|
Online-ссылка: | https://revistadearquitectura.ucatolica.edu.co/article/view/109 |
Метки: |
Добавить метку
Нет меток, Требуется 1-ая метка записи!
|
Схожие документы
-
Alumnos Latinoamericanos en la École Spéciale D’Architecture (1900-1939)
по: Ávila-Gómez, Andrés
Опубликовано: (2020) -
Cinematographic Confinement, Heterotopic Space
по: Salazár Barrón, Sergio
Опубликовано: (2019) -
Violence and the city A cinematographic approach
по: Rojas-Osorio, Sara
Опубликовано: (2010) -
Proceso de reglamentación de los Concursos de Arquitectura en Uruguay, 1900-1930
по: Rimbaud Blengini, Arq. Tatiana
Опубликовано: (2019) -
Parallel urban developments: Leonardo Da Vinci - Étienne Cabet
по: Hidalgo García, David, et al.
Опубликовано: (2015)