Design and craftsmanship : a contemporary view.
The low recognition of the identity and aesthetics present in the craft and use of the cane arrow (Gynerium Sagittatum) of the Zenú indigenous cultures, propose the need to inquire about how to understand the dialogue between design, craftsmanship and industrial production oriented processes towards...
محفوظ في:
| المؤلفون الرئيسيون: | , , |
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| التنسيق: | Online |
| اللغة: | spa |
| منشور في: |
Universidad Católica de Colombia
2020
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| الوصول للمادة أونلاين: | https://revistadearquitectura.ucatolica.edu.co/article/view/1975 |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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| الملخص: | The low recognition of the identity and aesthetics present in the craft and use of the cane arrow (Gynerium Sagittatum) of the Zenú indigenous cultures, propose the need to inquire about how to understand the dialogue between design, craftsmanship and industrial production oriented processes towards the innovation of processes and products in a context of sustainability. Through a bibliographic review organized in two phases, the first consisting of the search for scientific articles and books and the second in the analysis, allowed the classification of information into two categories: 1) Design, Handcraft and new trends and 2) Design and Decolonization. As a result, critical aspects are shown in the relationship between design, crafts and indigenous knowledge. This search discusses the potential that, from design, makes it possible to generate innovation processes and presents contemporary design as a discipline of synthesis that responds to a culturalist or essentialist approach to design with great empowerment and emancipation capabilities in contexts peripherals This allowed us to question which methodologies allow us to approach the understanding of the legacy of cultures and craft processes. |
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