Design and craftsmanship : a contemporary view.
The low recognition of the identity and aesthetics present in the craft and use of the cane arrow (Gynerium Sagittatum) of the Zenú indigenous cultures, propose the need to inquire about how to understand the dialogue between design, craftsmanship and industrial production oriented processes towards...
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| Những tác giả chính: | , , |
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| Định dạng: | Online |
| Ngôn ngữ: | spa |
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Universidad Católica de Colombia
2020
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| Truy cập trực tuyến: | https://revistadearquitectura.ucatolica.edu.co/article/view/1975 |
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oai:editorial.ucatolica.edu.co:article-1975 |
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ojs |
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Universidad Católica de Colombia |
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| language |
spa |
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Online |
| author |
Martínez-Osorio, Pedro Arturo Paschoarelli, Luis Carlos Da-Cruz-Landim, Paula |
| spellingShingle |
Martínez-Osorio, Pedro Arturo Paschoarelli, Luis Carlos Da-Cruz-Landim, Paula Design and craftsmanship : a contemporary view. |
| author_facet |
Martínez-Osorio, Pedro Arturo Paschoarelli, Luis Carlos Da-Cruz-Landim, Paula |
| author_sort |
Martínez-Osorio, Pedro Arturo |
| title |
Design and craftsmanship : a contemporary view. |
| title_short |
Design and craftsmanship : a contemporary view. |
| title_full |
Design and craftsmanship : a contemporary view. |
| title_fullStr |
Design and craftsmanship : a contemporary view. |
| title_full_unstemmed |
Design and craftsmanship : a contemporary view. |
| title_sort |
design and craftsmanship : a contemporary view. |
| description |
The low recognition of the identity and aesthetics present in the craft and use of the cane arrow (Gynerium Sagittatum) of the Zenú indigenous cultures, propose the need to inquire about how to understand the dialogue between design, craftsmanship and industrial production oriented processes towards the innovation of processes and products in a context of sustainability. Through a bibliographic review organized in two phases, the first consisting of the search for scientific articles and books and the second in the analysis, allowed the classification of information into two categories: 1) Design, Handcraft and new trends and 2) Design and Decolonization. As a result, critical aspects are shown in the relationship between design, crafts and indigenous knowledge. This search discusses the potential that, from design, makes it possible to generate innovation processes and presents contemporary design as a discipline of synthesis that responds to a culturalist or essentialist approach to design with great empowerment and emancipation capabilities in contexts peripherals This allowed us to question which methodologies allow us to approach the understanding of the legacy of cultures and craft processes. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2020 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/1975 |
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AT martinezosoriopedroarturo designandcraftsmanshipacontemporaryview AT paschoarelliluiscarlos designandcraftsmanshipacontemporaryview AT dacruzlandimpaula designandcraftsmanshipacontemporaryview AT martinezosoriopedroarturo disenoyartesanadounamiradacontemporanea AT paschoarelliluiscarlos disenoyartesanadounamiradacontemporanea AT dacruzlandimpaula disenoyartesanadounamiradacontemporanea |
| _version_ |
1709645526719266816 |
| spelling |
oai:editorial.ucatolica.edu.co:article-19752021-05-21T14:32:02Z Design and craftsmanship : a contemporary view. Diseño y artesanado : una mirada contemporánea. Martínez-Osorio, Pedro Arturo Paschoarelli, Luis Carlos Da-Cruz-Landim, Paula subject-centered design sustainable design projective humanism traditional materials indigenous traditions crafts diseño centrado en el sujeto diseño sustentable humanismo proyectual materiales tradicionales tradiciones indígenas artesanía The low recognition of the identity and aesthetics present in the craft and use of the cane arrow (Gynerium Sagittatum) of the Zenú indigenous cultures, propose the need to inquire about how to understand the dialogue between design, craftsmanship and industrial production oriented processes towards the innovation of processes and products in a context of sustainability. Through a bibliographic review organized in two phases, the first consisting of the search for scientific articles and books and the second in the analysis, allowed the classification of information into two categories: 1) Design, Handcraft and new trends and 2) Design and Decolonization. As a result, critical aspects are shown in the relationship between design, crafts and indigenous knowledge. This search discusses the potential that, from design, makes it possible to generate innovation processes and presents contemporary design as a discipline of synthesis that responds to a culturalist or essentialist approach to design with great empowerment and emancipation capabilities in contexts peripherals This allowed us to question which methodologies allow us to approach the understanding of the legacy of cultures and craft processes. El escaso reconocimiento de la identidad y estética presentes en el artesanado y uso de la Caña flecha (Gynerium Sagittatum) de las culturas indígenas Zenú, plantea la necesidad de indagar sobre cómo entender el diálogo entre el diseño, el artesanado y procesos de producción industrial orientados hacia la innovación de procesos y productos en un contexto de sustentabilidad. Mediante una revisión bibliográfica organizada en dos fases, la primera consistente en la búsqueda de artículos científicos y libros y la segunda en el análisis, permitió clasificar la información en dos categorías: 1) Design, Handcraft y nuevas tendencias y 2) Design y Decolonization. Como resultado se muestran aspectos críticos en la relación entre diseño, artesanado y conocimiento indígena. En esta búsqueda se discute sobre el potencial que, desde el diseño, hace posible generar procesos de innovación y se presenta el diseño contemporáneo como una disciplina de síntesis que responde a un enfoque culturalista o esencialista del diseño con grandes capacidades de empoderamiento y emancipación en contextos periféricos. Esto permitió cuestionar sobre cuáles metodologías permiten acercarse a la comprensión del legado de las culturas y los procesos de artesanado. Universidad Católica de Colombia 2020-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html image/jpeg image/jpeg image/jpeg application/pdf text/xml https://revistadearquitectura.ucatolica.edu.co/article/view/1975 10.14718/RevArq.2020.1975 Revista de Arquitectura; Vol. 22 No. 1 (2020): January - June; 130-137 Revista de Arquitectura (Bogotá); Vol. 22 Núm. 1 (2020): Enero - junio; 130-137 Revista de Arquitectura; Vol. 22 No. 1 (2020): Janvier - Juin; 130-137 Revista de Arquitectura; v. 22 n. 1 (2020): Janeiro – junho; 130-137 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/1975/2714 https://revistadearquitectura.ucatolica.edu.co/article/view/1975/2858 https://revistadearquitectura.ucatolica.edu.co/article/view/1975/2859 https://revistadearquitectura.ucatolica.edu.co/article/view/1975/2860 https://revistadearquitectura.ucatolica.edu.co/article/view/1975/3295 https://revistadearquitectura.ucatolica.edu.co/article/view/1975/3697 Derechos de autor 2020 Pedro Arturo Martínez-Osorio, Luis Carlos Paschoarelli, Paula Da Cruz Landim info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |