Monuments and urban art: perceptions, attitudes and values in the city of Manizales
Can monuments and urban art provide interpretative and comprehensive elements about the city? What do your actors reveal? What about public open space? As a methodological support we rely on "Social Constructionism" theory, in addition to social representations and the technique of intervi...
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Universidad Católica de Colombia
2020
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oai:editorial.ucatolica.edu.co:article-22212021-05-21T17:48:58Z Monuments and urban art: perceptions, attitudes and values in the city of Manizales Monumentos y arte urbano: percepciones, actitudes y valores en la ciudad de Manizales Santofimio-Ortiz, Rodrigo Pérez-Agudelo, Sandra Milena historical monument public open space urban art urban zone urban sociology arte urbano monumento histórico zona urbana sociología urbana espacio público Can monuments and urban art provide interpretative and comprehensive elements about the city? What do your actors reveal? What about public open space? As a methodological support we rely on "Social Constructionism" theory, in addition to social representations and the technique of interviewing social actors, ethnographic work and bibliography related to the subject. The relationship between monuments, urban art and public open space in the city, only if posed in a comprehensive and dialectical way, would facilitate its appropriation and enjoyment among its enacting stakeholders; likewise, the possibility of claiming a way of subtracting public open space from the restrictive codes of financial logic and of value, as defined by contemporary capitalism. Then, it is concluded that, in the case of Manizales, these relational and vindication bets are expressed in the Torre del Cable and in the work of urban art Desde Chipre, both interesting and suggestive for studies on the contemporary city. ¿Pueden los monumentos y el arte urbano propiciar elementos interpretativos y comprensivos acerca de la ciudad? ¿Qué develan sus actores? ¿Qué pasa con el espacio público? Como soporte metodológico, se propone el enfoque del construccionismo social, además de las representaciones sociales y la técnica de entrevistas a actores sociales, el trabajo etnográfico y bibliografía referente al tema. La relación entre los monumentos, el arte urbano y el espacio público en la ciudad, si y solo si se plantea de manera envolvente y dialéctica, facilitaría su apropiación y su disfrute entre los actores; así mismo, la posibilidad de reivindicar una forma de sustraer el espacio público de la lógica financiera, restrictiva y de valor el capitalismo contemporáneo. Puede concluirse, entonces, que para el caso de Manizales dichas apuestas relacionales y de reivindicación se expresan en La torre del cable y en la obra de arte urbano Desde Chipre, las cuales resultan interesantes y sugestivas para los estudios sobre la ciudad contemporánea. Universidad Católica de Colombia 2020-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html application/pdf text/xml https://revistadearquitectura.ucatolica.edu.co/article/view/2221 10.14718/RevArq.2020.2221 Revista de Arquitectura; Vol. 22 No. 2 (2020): July - December; 37-47 Revista de Arquitectura (Bogotá); Vol. 22 Núm. 2 (2020): Julio – diciembre; 37-47 Revista de Arquitectura; Vol. 22 No. 2 (2020): Juillet - décembre; 37-47 Revista de Arquitectura; v. 22 n. 2 (2020): Julho – dezembro; 37-47 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/2221/3212 https://revistadearquitectura.ucatolica.edu.co/article/view/2221/3596 https://revistadearquitectura.ucatolica.edu.co/article/view/2221/3705 Derechos de autor 2020 Rodrigo Santofimio-Ortiz, Sandra Milena Pérez-Agudelo info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Colombia |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Santofimio-Ortiz, Rodrigo Pérez-Agudelo, Sandra Milena |
| spellingShingle |
Santofimio-Ortiz, Rodrigo Pérez-Agudelo, Sandra Milena Monuments and urban art: perceptions, attitudes and values in the city of Manizales |
| author_facet |
Santofimio-Ortiz, Rodrigo Pérez-Agudelo, Sandra Milena |
| author_sort |
Santofimio-Ortiz, Rodrigo |
| title |
Monuments and urban art: perceptions, attitudes and values in the city of Manizales |
| title_short |
Monuments and urban art: perceptions, attitudes and values in the city of Manizales |
| title_full |
Monuments and urban art: perceptions, attitudes and values in the city of Manizales |
| title_fullStr |
Monuments and urban art: perceptions, attitudes and values in the city of Manizales |
| title_full_unstemmed |
Monuments and urban art: perceptions, attitudes and values in the city of Manizales |
| title_sort |
monuments and urban art: perceptions, attitudes and values in the city of manizales |
| description |
Can monuments and urban art provide interpretative and comprehensive elements about the city? What do your actors reveal? What about public open space? As a methodological support we rely on "Social Constructionism" theory, in addition to social representations and the technique of interviewing social actors, ethnographic work and bibliography related to the subject. The relationship between monuments, urban art and public open space in the city, only if posed in a comprehensive and dialectical way, would facilitate its appropriation and enjoyment among its enacting stakeholders; likewise, the possibility of claiming a way of subtracting public open space from the restrictive codes of financial logic and of value, as defined by contemporary capitalism. Then, it is concluded that, in the case of Manizales, these relational and vindication bets are expressed in the Torre del Cable and in the work of urban art Desde Chipre, both interesting and suggestive for studies on the contemporary city. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2020 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/2221 |
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