The movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology.
The evolution of movie theater spatiality was rarely dealt with in architecture history, and anecdotes have been privileged, leaving aside the study of the professional, theoretical and media debate debate these buildings generated. From a literature review of publications and databases in major Eur...
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Universidad Católica de Colombia
2013
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| Truy cập trực tuyến: | https://revistadearquitectura.ucatolica.edu.co/article/view/38 |
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oai:editorial.ucatolica.edu.co:article-382021-03-15T21:36:29Z The movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology. Las salas de cine diseñadas por las figuras de las vanguardias europeas : aproximación a los orígenes de una tipología arquitectónica moderna. Ávila Gómez, Andrés infrastructure architectural space typological evolution architectural avantgarde modernism equipamiento espacio arquitectónico evolución tipológica vanguardias arquitectónicas movimiento moderno The evolution of movie theater spatiality was rarely dealt with in architecture history, and anecdotes have been privileged, leaving aside the study of the professional, theoretical and media debate debate these buildings generated. From a literature review of publications and databases in major European national libraries, this article offers a look at a set of studio theaters-and some unbuilt projects-, made by architects and iconic artists from the first half of the twentieth century. Around the proposals presented by five figures of the European avant-garde (Le Corbusier, Mallet-Stevens, Sauvage, van Doesburg and Kiesler), a variety of types and aesthetic trends are shown which characterized movie theaters during the years between the wars, as well as the avatars that these facilities suffered since their inception. La evolución de la espacialidad de las salas de cine ha sido un tema poco abordado por la historia de la arquitectura, y en torno al cual se ha privilegiado la anécdota, dejando de lado el estudio del debate profesional, teórico y mediático que estos edificios generaron. A partir de una revisión bibliográfica de publicaciones especializadas y de bases de datos en las principales bibliotecas nacionales europeas, el presente artículo ofrece una mirada al estudio de un conjunto de salas de cine -y de algunos proyectos no construidos-, realizados por arquitectos y artistas emblemáticos de la primera mitad del siglo XX. En torno a las propuestas planteadas por cinco figuras de las vanguardias europeas (Le Corbusier, Mallet-Stevens, Sauvage, van Doesburg y Kiesler), se muestra la variedad de tipologías y tendencias estéticas que caracterizaron las salas de cine del periodo de entreguerras, así como los avatares que desde sus orígenes sufrieron estos equipamientos. Universidad Católica de Colombia 2013-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistadearquitectura.ucatolica.edu.co/article/view/38 10.14718/RevArq.2013.15.1.10 Revista de Arquitectura; Vol. 15 No. 1 (2013): January - December; 84-101 Revista de Arquitectura (Bogotá); Vol. 15 Núm. 1 (2013): Enero - diciembre; 84-101 Revista de Arquitectura; Vol. 15 No. 1 (2013): Enero - diciembre; 84-101 Revista de Arquitectura; v. 15 n. 1 (2013): Janeiro - dezembro; 84-101 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/38/115 https://revistadearquitectura.ucatolica.edu.co/article/view/38/90 Derechos de autor 2013 Andrés Ávila Gómez info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Colombia |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Ávila Gómez, Andrés |
| spellingShingle |
Ávila Gómez, Andrés The movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology. |
| author_facet |
Ávila Gómez, Andrés |
| author_sort |
Ávila Gómez, Andrés |
| title |
The movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology. |
| title_short |
The movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology. |
| title_full |
The movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology. |
| title_fullStr |
The movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology. |
| title_full_unstemmed |
The movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology. |
| title_sort |
movie theaters designed by the european avant garde masters : an aproach to the origins of a modern architectural typology. |
| description |
The evolution of movie theater spatiality was rarely dealt with in architecture history, and anecdotes have been privileged, leaving aside the study of the professional, theoretical and media debate debate these buildings generated. From a literature review of publications and databases in major European national libraries, this article offers a look at a set of studio theaters-and some unbuilt projects-, made by architects and iconic artists from the first half of the twentieth century. Around the proposals presented by five figures of the European avant-garde (Le Corbusier, Mallet-Stevens, Sauvage, van Doesburg and Kiesler), a variety of types and aesthetic trends are shown which characterized movie theaters during the years between the wars, as well as the avatars that these facilities suffered since their inception. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2013 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/38 |
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