Questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture.
By inquiring in the art of poetry, phenomenology and studies on technological making, this article attempts to bring creative processes in architecture closer to its imaginative essence. It presents questions of creative method following a discursive sequence whose demonstrative hypothesis departs f...
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Universidad Católica de Colombia
2014
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Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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oai:editorial.ucatolica.edu.co:article-582021-03-15T15:27:06Z Questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture. Cuestiones de método creativo : metamorfosis y conciencia material en los procesos creativos en arquitectura. Rueda Plata, Carlos Iván imagination phenomenology of place metaphor poetry architecture theory and criticism imaginación fenomenología del lugar metáfora poesía teoría y crítica de la arquitectura By inquiring in the art of poetry, phenomenology and studies on technological making, this article attempts to bring creative processes in architecture closer to its imaginative essence. It presents questions of creative method following a discursive sequence whose demonstrative hypothesis departs from the idea that making architecture is place—making, whether it is: built, electronically mediated or "paper architecture." The article demonstrates that the concepts of place and poetry are analogous, by bridging from the literary and phenomenological fields. Processes of poetic imagination (metaphor and metamorphosis) subsequently are explored and exemplified with architectural works, grouped in three categories according to distinctive ways in which material imagination makes presence as metamorphosis. Developing this study required building a theoretical frame from a hermeneutic interpretative situation specific to architecture, and then applying the resulting conceptual construct to the analysis of architectural works, drawing demonstrative conclusions. Al indagar en el arte poética, la fenomenología y los estudios en teoría del hacer tecnológico, este artículo busca acercar los procesos creativos en arquitectura a su esencia imaginativa. Se presentan asuntos de método creativo siguiendo una secuencia discursiva encadenada, cuya hipótesis demostrativa inicia con la idea de que crear arquitectura es hacer lugar: sea construida, mediada electrónicamente o "de papel". Se demuestra que los conceptos de lugar y poesía son análogos, trayendo fuentes del ámbito literario y la fenomenología. Seguidamente, se exploran procesos poéticos de la imaginación (metáfora y metamorfosis), ofreciendo ejemplos arquitectónicos agrupados en tres categorías en las que una conciencia material se hace presente en forma de metamorfosis. El desarrollo del estudio comprendió construir un marco interpretativo comparando autores y textos de diverso origen disciplinar desde una situación interpretativa hermenéutica específica de la arquitectura para luego aplicar el constructo conceptual resultante al análisis de obras arquitectónicas, llegando a conclusiones demostrativas. Universidad Católica de Colombia 2014-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistadearquitectura.ucatolica.edu.co/article/view/58 10.14718/RevArq.2014.16.7 Revista de Arquitectura; Vol. 16 No. 1 (2014): January - December; 58-67 Revista de Arquitectura (Bogotá); Vol. 16 Núm. 1 (2014): Enero - diciembre; 58-67 Revista de Arquitectura; Vol. 16 No. 1 (2014): Enero - diciembre; 58-67 Revista de Arquitectura; v. 16 n. 1 (2014): Janeiro - dezembro; 58-67 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/58/135 https://revistadearquitectura.ucatolica.edu.co/article/view/58/898 Derechos de autor 2014 Carlos Iván Rueda Plata info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Colombia |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Rueda Plata, Carlos Iván |
| spellingShingle |
Rueda Plata, Carlos Iván Questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture. |
| author_facet |
Rueda Plata, Carlos Iván |
| author_sort |
Rueda Plata, Carlos Iván |
| title |
Questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture. |
| title_short |
Questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture. |
| title_full |
Questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture. |
| title_fullStr |
Questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture. |
| title_full_unstemmed |
Questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture. |
| title_sort |
questions of creative methods : metamorphosis and material consciousness in the creative processes in architecture. |
| description |
By inquiring in the art of poetry, phenomenology and studies on technological making, this article attempts to bring creative processes in architecture closer to its imaginative essence. It presents questions of creative method following a discursive sequence whose demonstrative hypothesis departs from the idea that making architecture is place—making, whether it is: built, electronically mediated or "paper architecture." The article demonstrates that the concepts of place and poetry are analogous, by bridging from the literary and phenomenological fields. Processes of poetic imagination (metaphor and metamorphosis) subsequently are explored and exemplified with architectural works, grouped in three categories according to distinctive ways in which material imagination makes presence as metamorphosis. Developing this study required building a theoretical frame from a hermeneutic interpretative situation specific to architecture, and then applying the resulting conceptual construct to the analysis of architectural works, drawing demonstrative conclusions. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2014 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/58 |
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