Rogelio Salmona (1929-2007) : a journey that doesn’t come to an end.
“A journey that doesn’t come to an end”, is a small recognition to the life and work of the architect Rogelio Salmona. Although life ends, architecture is a legacy that does not pass with time and this is the reason Salmona will always remembered: an architecture full with intangibleness, sensations...
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Universidad Católica de Colombia
2007
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oai:editorial.ucatolica.edu.co:article-7932021-03-18T16:11:19Z Rogelio Salmona (1929-2007) : a journey that doesn’t come to an end. Rogelio Salmona (1929-2007) : un recorrido que no termia. Eligio Triana, César Andrés colombian architecture architectural composition postgraduate building National University public buildings perception of architecture arquitectura colombiana composición arquitectónica edificio de posgrados Universidad Nacional edificios públicos percepción de la arquitectura “A journey that doesn’t come to an end”, is a small recognition to the life and work of the architect Rogelio Salmona. Although life ends, architecture is a legacy that does not pass with time and this is the reason Salmona will always remembered: an architecture full with intangibleness, sensations and events structured starting from the value of journeys without end. “Architecture cannot be appreciated through pictures” affirmed Rogelio Salmona; the picture, captures the image, an instant, a fragment, the text, is the representation of the thought and it demonstrates the different intentions that are behind each action that becomes matter. Through a photographic sequence for the Human Sciences Postgraduate Building at the Bogotá National University (1997-2000), a chain of images was built that were able to express the transformation of the words in architecture, it is here where the journey or rather wandering as Salmona well defined it, it becomes the tool to generate multiple relationships, perceptions and dualities: interior-exterior, inside-out, light-shade, closing-opening, closefar, natural-artificial; the journey resembles each other to a tape of Moebius in which is not known in what moment one is inside, and I how one goes out starting with subtle transitions or strong contrasts one goes inside again without realizing it. Un recorrido que no termina, es un pequeño reconocimiento a la vida y obra del arquitecto Rogelio Salmona. Aunque la vida termine, la arquitectura es un testimonio que no se agota con el paso del tiempo y por la cual siempre se recordará al arquitecto y a su obra: una arquitectura llena de intangibles, sensaciones y acontecimientos estructurada a partir del valor de recorridos sin fin. “La arquitectura no se puede apreciar a través de fotografías” afirmaba el arquitecto Rogelio Salmona; la fotografía, captura la imagen, un instante, un fragmento, el texto, es la representación del pensamiento y demuestra las diferentes intenciones que están detrás de cada acción que se transforma en materia. A través de una secuencia fotográfica por el Edificio de Posgrados de Ciencias Humanas de la Universidad Nacional (1997-2000), se construyó una cadena de imágenes que fueran capaces de expresar la transformación de las palabras en arquitectura, es aquí donde el recorrido o más bien el errar como bien lo definió Salmona, se convierte en la herramienta para generar múltiples relaciones, percepciones y dualidades: interior-exterior, adentro-afuera, luz-sombra, cierre-apertura, cerca-lejos, natural-artificial; el recorrido se asemeja a una cinta de Moebius en la cual no se sabe en que momento se está al interior y como a partir de suaves transiciones o fuertes contrastes se pasa al exterior y nuevamente sin darse cuenta se vuelve a estar en el interior. Universidad Católica de Colombia 2007-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistadearquitectura.ucatolica.edu.co/article/view/793 Revista de Arquitectura; Vol. 9 No. 1 (2007): January - December; 26-27 Revista de Arquitectura (Bogotá); Vol. 9 Núm. 1 (2007): Enero - diciembre; 26-27 Revista de Arquitectura; Vol. 9 No. 1 (2007): Enero - diciembre; 26-27 Revista de Arquitectura; v. 9 n. 1 (2007): Janeiro - dezembro; 26-27 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/793/823 Derechos de autor 2007 César Andrés Eligio Triana info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Católica de Colombia |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Eligio Triana, César Andrés |
| spellingShingle |
Eligio Triana, César Andrés Rogelio Salmona (1929-2007) : a journey that doesn’t come to an end. |
| author_facet |
Eligio Triana, César Andrés |
| author_sort |
Eligio Triana, César Andrés |
| title |
Rogelio Salmona (1929-2007) : a journey that doesn’t come to an end. |
| title_short |
Rogelio Salmona (1929-2007) : a journey that doesn’t come to an end. |
| title_full |
Rogelio Salmona (1929-2007) : a journey that doesn’t come to an end. |
| title_fullStr |
Rogelio Salmona (1929-2007) : a journey that doesn’t come to an end. |
| title_full_unstemmed |
Rogelio Salmona (1929-2007) : a journey that doesn’t come to an end. |
| title_sort |
rogelio salmona (1929-2007) : a journey that doesn’t come to an end. |
| description |
“A journey that doesn’t come to an end”, is a small recognition to the life and work of the architect Rogelio Salmona. Although life ends, architecture is a legacy that does not pass with time and this is the reason Salmona will always remembered: an architecture full with intangibleness, sensations and events structured starting from the value of journeys without end. “Architecture cannot be appreciated through pictures” affirmed Rogelio Salmona; the picture, captures the image, an instant, a fragment, the text, is the representation of the thought and it demonstrates the different intentions that are behind each action that becomes matter. Through a photographic sequence for the Human Sciences Postgraduate Building at the Bogotá National University (1997-2000), a chain of images was built that were able to express the transformation of the words in architecture, it is here where the journey or rather wandering as Salmona well defined it, it becomes the tool to generate multiple relationships, perceptions and dualities: interior-exterior, inside-out, light-shade, closing-opening, closefar, natural-artificial; the journey resembles each other to a tape of Moebius in which is not known in what moment one is inside, and I how one goes out starting with subtle transitions or strong contrasts one goes inside again without realizing it. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2007 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/793 |
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