"El Dorado", French or German style? a comparative study of movie theaters in Strasbourg.
This work contains studied theaters built in Strasbourg in the early twentieth century, following the approach of cultural transfer studies with the aim of highlighting their hybrid aspects. To do this from a comparative study of the experiences of Paris and Berlin they analyzed the first theaters b...
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| פורמט: | Online |
| שפה: | spa |
| יצא לאור: |
Universidad Católica de Colombia
2015
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| גישה מקוונת: | https://revistadearquitectura.ucatolica.edu.co/article/view/85 |
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oai:editorial.ucatolica.edu.co:article-85 |
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ojs |
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Universidad Católica de Colombia |
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OJS |
| language |
spa |
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Online |
| author |
Hosseinabadi, Shahram |
| spellingShingle |
Hosseinabadi, Shahram "El Dorado", French or German style? a comparative study of movie theaters in Strasbourg. |
| author_facet |
Hosseinabadi, Shahram |
| author_sort |
Hosseinabadi, Shahram |
| title |
"El Dorado", French or German style? a comparative study of movie theaters in Strasbourg. |
| title_short |
"El Dorado", French or German style? a comparative study of movie theaters in Strasbourg. |
| title_full |
"El Dorado", French or German style? a comparative study of movie theaters in Strasbourg. |
| title_fullStr |
"El Dorado", French or German style? a comparative study of movie theaters in Strasbourg. |
| title_full_unstemmed |
"El Dorado", French or German style? a comparative study of movie theaters in Strasbourg. |
| title_sort |
"el dorado", french or german style? a comparative study of movie theaters in strasbourg. |
| description |
This work contains studied theaters built in Strasbourg in the early twentieth century, following the approach of cultural transfer studies with the aim of highlighting their hybrid aspects. To do this from a comparative study of the experiences of Paris and Berlin they analyzed the first theaters built before the Great War-a period in which Strasbourg was German, and some cases of the interwar period - when Alsace was returned to France. Currently architecture for the exhibition of movie theaters in Strasbourg has been briefly approached in isolation and in some academic work. This comparative study goes beyond the periodization of the Alsatian architectural history, taking into account the changes of sovereignty in the border region. The importance of movie theaters as a building type suitable for transferring architectural models and crossbreeding is revealed as well as the need to extend this type of analysis to a transcontinental scale. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2015 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/85 |
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AT hosseinabadishahram eldoradofrenchorgermanstyleacomparativestudyofmovietheatersinstrasbourg AT hosseinabadishahram eldoradofrancesoalemanunestudiocomparadodeloscinesdeestrasburgo AT hosseinabadishahram eldoradoalafrancaiseoualallemandeuneetudecompareedescinemasdestrasbourg |
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1709645500071804928 |
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oai:editorial.ucatolica.edu.co:article-852020-07-28T20:42:50Z "El Dorado", French or German style? a comparative study of movie theaters in Strasbourg. "El Dorado" ¿Francés o Alemán? un estudio comparado de los cines de Estrasburgo. «El Dorado» à la Française ou à l’Allemande? une étude comparée des cinémas de Strasbourg. Hosseinabadi, Shahram theaters movie theaters comparative history culture transfer strasbourg’s architecture Alsace (France) arquitectura estrasburguesa salas de espectáculos cines historia comparada transferencia cultural. Alsacia (Francia) architecture strasbourgeoise salles de spectacle cinémas histoire croisée transfert culturel Alsace This work contains studied theaters built in Strasbourg in the early twentieth century, following the approach of cultural transfer studies with the aim of highlighting their hybrid aspects. To do this from a comparative study of the experiences of Paris and Berlin they analyzed the first theaters built before the Great War-a period in which Strasbourg was German, and some cases of the interwar period - when Alsace was returned to France. Currently architecture for the exhibition of movie theaters in Strasbourg has been briefly approached in isolation and in some academic work. This comparative study goes beyond the periodization of the Alsatian architectural history, taking into account the changes of sovereignty in the border region. The importance of movie theaters as a building type suitable for transferring architectural models and crossbreeding is revealed as well as the need to extend this type of analysis to a transcontinental scale. En este trabajo se estudian los cines construidos en la primera mitad del siglo XX, en Estrasburgo, siguiendo el enfoque de los estudios de transferencia cultural, con el objetivo de poner en evidencia sus aspectos híbridos. Para ello, a partir de un estudio comparativo de las experiencias de París y Berlín, se analizan, primero, las salas de cine edificadas antes de la Gran Guerra —periodo en el cual Estrasburgo era alemana—, y algunos casos del periodo de entreguerras —cuando Alsacia fue devuelta a Francia—. Hasta la fecha, la arquitectura para la exhibición de cine en Estrasburgo ha sido abordada someramente y de forma aislada en algunos trabajos universitarios. Este estudio comparado va más allá de la periodización de la historia arquitectónica alsaciana, teniendo en cuenta los cambios de soberanía en esta región fronteriza. Se revela también la importancia de los cines como un tipo de edificio propicio para la transferencia de modelos y de mestizajes arquitectónicos, y se evidencia la necesidad de ampliar este tipo de análisis a escala transcontinental. La présente contribution tente d’étudier les cinémas de Strasbourg réalisés dans première moitié du XXe siècle selon l’approche des études de transferts culturels afin de mettre en évidence leurs aspects métissés. Pour ce faire, dans une étude comparée avec les expériences parisiennes et berlinoises, sont d’abord analysées des salles édifiées avant la Grande Guerre – période où Strasbourg était allemande – puis quelques réalisations de l’entre-deux-guerres – où l’Alsace est redevenue française. L’architecture cinématographique strasbourgeoise n’a été abordée, jusqu’à ce jour, que sommairement et de manière isolée dans quelques travaux universitaires. Cette étude croisée permet de dépasser la périodisation classique de l’histoire architecturale alsacienne suivant les changements de souveraineté de cette région frontalière. Elle révèle également l’intérêt des cinémas comme un type d’édifice propice aux transferts de modèle et aux métissages architecturaux, de même que la nécessité d’étendre ce type d’analyse à l’échelle transcontinentale. Universidad Católica de Colombia 2015-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistadearquitectura.ucatolica.edu.co/article/view/85 10.14718/RevArq.2015.17.1.4 Revista de Arquitectura; Vol. 17 No. 1 (2015): January - December; 32-43 Revista de Arquitectura (Bogotá); Vol. 17 Núm. 1 (2015): Enero - diciembre; 32-43 Revista de Arquitectura; Vol. 17 No. 1 (2015): Enero - diciembre; 32-43 Revista de Arquitectura; v. 17 n. 1 (2015): Janeiro - dezembro; 32-43 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/85/pdf-ShaHos https://revistadearquitectura.ucatolica.edu.co/article/view/85/957 Derechos de autor 2015 Shahram Hosseinabadi info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |