Movie theaters in architectural publications from the 1930s. a look at the case of cinéac.
During the first quarter of the twentieth century the existing cinema halls were characterized by luxury, monumentality and capabilities to achieve capacity of thousands of spectators. In the thirties it originated in European countries as a typological variant known as cinéac (con...
שמור ב:
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| פורמט: | Online |
| שפה: | spa |
| יצא לאור: |
Universidad Católica de Colombia
2015
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| גישה מקוונת: | https://revistadearquitectura.ucatolica.edu.co/article/view/86 |
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oai:editorial.ucatolica.edu.co:article-86 |
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ojs |
| institution |
Universidad Católica de Colombia |
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OJS |
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spa |
| format |
Online |
| author |
Ávila-Gómez, Andrés |
| spellingShingle |
Ávila-Gómez, Andrés Movie theaters in architectural publications from the 1930s. a look at the case of cinéac. |
| author_facet |
Ávila-Gómez, Andrés |
| author_sort |
Ávila-Gómez, Andrés |
| title |
Movie theaters in architectural publications from the 1930s. a look at the case of cinéac. |
| title_short |
Movie theaters in architectural publications from the 1930s. a look at the case of cinéac. |
| title_full |
Movie theaters in architectural publications from the 1930s. a look at the case of cinéac. |
| title_fullStr |
Movie theaters in architectural publications from the 1930s. a look at the case of cinéac. |
| title_full_unstemmed |
Movie theaters in architectural publications from the 1930s. a look at the case of cinéac. |
| title_sort |
movie theaters in architectural publications from the 1930s. a look at the case of cinéac. |
| description |
During the first quarter of the twentieth century the existing cinema halls were characterized by luxury, monumentality and capabilities to achieve capacity of thousands of spectators. In the thirties it originated in European countries as a typological variant known as cinéac (contraction of ciné et actualités). The architecture of the cinéac and the mediation of which were the subject specifically in France and Belgium are addressed by the systematic review of architectural magazines of the time and in the literature shows that portrayed advances in the architecture and theater of cinemas. This article shows cinéac history and its role in the transition to a moderate architecture and smaller scale cinemas, it highlights the work of architects Siclis and De Montaut & Gorska and ends with a review of the exterior architecture of cinéac. |
| publisher |
Universidad Católica de Colombia |
| publishDate |
2015 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/86 |
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oai:editorial.ucatolica.edu.co:article-862020-07-28T20:50:09Z Movie theaters in architectural publications from the 1930s. a look at the case of cinéac. Salas de cine en publicaciones de arquitectura de los años treinta una mirada al caso de los cinéac. Salas de cine en publicaciones de arquitectura de los años treinta una mirada al caso de los cinéac. Ávila-Gómez, Andrés Commercial architecture architectural style architecture magazines façade components between the wars arquitectura comercial tipología arquitectónica revistas de arquitectura componentes de fachada entreguerras architecture commerciale typologie architecturale éléments de façade entre-deux-guerres périodiques d’architecture During the first quarter of the twentieth century the existing cinema halls were characterized by luxury, monumentality and capabilities to achieve capacity of thousands of spectators. In the thirties it originated in European countries as a typological variant known as cinéac (contraction of ciné et actualités). The architecture of the cinéac and the mediation of which were the subject specifically in France and Belgium are addressed by the systematic review of architectural magazines of the time and in the literature shows that portrayed advances in the architecture and theater of cinemas. This article shows cinéac history and its role in the transition to a moderate architecture and smaller scale cinemas, it highlights the work of architects Siclis and De Montaut & Gorska and ends with a review of the exterior architecture of cinéac. Durante el primer cuarto del siglo XX, las salas de cine se caracterizaron por su lujo y monumentalidad, así como por alcanzar capacidades de aforo para miles de espectadores. En los años treinta, se originó en los países europeos una variante tipológica conocida como Cinéac (contracción de ciné et actualités). La arquitectura de los Cinéac y la mediatización de la cual fueron objeto, específicamente en Francia y Bélgica, se abordan mediante la revisión sistemática de revistas de arquitectura de la época, así como en la literatura especializada que se ocupaba de mostrar los avances en arquitectura teatral y de cinemas. En el texto se exponen los antecedentes de los Cinéac y su rol en la transición hacia una arquitectura de cinemas moderada y de menor escala; se destaca la obra de los arquitectos Siclis y De Montaut & Gorska y finaliza con una revisión de la arquitectura exterior de los Cinéac. Pendant le premier quart du vingtième siècle, les salles de cinéma se caractérisaient par leur luxe et leur monumentalité, pouvant accueillir souvent quelques milliers de spectateurs. Au début des années trente, on constate dans les pays européens le développement d’une variation typologique : le Cinéac (cinéma d’actualités). Nous abordons deux sujets : l’architecture des Cinéac et leur médiatisation en France et en Belgique, après un dépouillement systématique de quelques revues francophones d’architecture de l’époque, et sans oublier la littérature spécialisée s’occupant du développement de l’architecture théâtrale et des cinémas. La présente contribution tente d’exposer les principaux antécédents des Cinéac et leur rôle dans la transition vers une architecture de cinémas de plus en plus dépouillée et sur une moindre échelle ; en mettant l’accent sur la production architecturale de Siclis, et De Montaut et Gorska ; et en soulignant les principales caractéristiques de l’architecture extérieure des Cinéac. Universidad Católica de Colombia 2015-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistadearquitectura.ucatolica.edu.co/article/view/86 10.14718/RevArq.2015.17.1.5 Revista de Arquitectura; Vol. 17 No. 1 (2015): January - December; 44-61 Revista de Arquitectura (Bogotá); Vol. 17 Núm. 1 (2015): Enero - diciembre; 44-61 Revista de Arquitectura; Vol. 17 No. 1 (2015): Enero - diciembre; 44-61 Revista de Arquitectura; v. 17 n. 1 (2015): Janeiro - dezembro; 44-61 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/86/pdf-AndAvi%20es https://revistadearquitectura.ucatolica.edu.co/article/view/86/958 Derechos de autor 2015 Andrés Ávila-Gómez info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |