Evangelization and precariousness : religious architecture without corporations or schools in new Granada.

In this article the religious architecture is approached from the perspective of cultural history, in order to make a methodological contribution to the study of the processes that led to the establishment of a religious architecture in the New Granada (now Colombia), territory in which there were n...

תיאור מלא

שמור ב:
מידע ביבליוגרפי
מחבר ראשי: Arango-Liévano, Lucia
פורמט: Online
שפה:spa
יצא לאור: Universidad Católica de Colombia 2015
גישה מקוונת:https://revistadearquitectura.ucatolica.edu.co/article/view/89
תגים: הוספת תג
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
id oai:editorial.ucatolica.edu.co:article-89
record_format ojs
institution Universidad Católica de Colombia
collection OJS
language spa
format Online
author Arango-Liévano, Lucia
spellingShingle Arango-Liévano, Lucia
Evangelization and precariousness : religious architecture without corporations or schools in new Granada.
author_facet Arango-Liévano, Lucia
author_sort Arango-Liévano, Lucia
title Evangelization and precariousness : religious architecture without corporations or schools in new Granada.
title_short Evangelization and precariousness : religious architecture without corporations or schools in new Granada.
title_full Evangelization and precariousness : religious architecture without corporations or schools in new Granada.
title_fullStr Evangelization and precariousness : religious architecture without corporations or schools in new Granada.
title_full_unstemmed Evangelization and precariousness : religious architecture without corporations or schools in new Granada.
title_sort evangelization and precariousness : religious architecture without corporations or schools in new granada.
description In this article the religious architecture is approached from the perspective of cultural history, in order to make a methodological contribution to the study of the processes that led to the establishment of a religious architecture in the New Granada (now Colombia), territory in which there were no formal artistic production circuits. Taking distance from a historiography based on the analysis of the form and its taxonomic classification, documentary research is favored as the main methodological tool. The culturalist reading of documents that account for the construction of the church of Pacho (Cundinamarca) contributes to the understanding of the structure of production systems in Granada territory. The text recognizes some of the main trades involved in construction (bricklayer, carpenter) and shows the hierarchical ranks within each trade that allowed the circulation of ideas and knowledge.
publisher Universidad Católica de Colombia
publishDate 2015
url https://revistadearquitectura.ucatolica.edu.co/article/view/89
work_keys_str_mv AT arangolievanolucia evangelizationandprecariousnessreligiousarchitecturewithoutcorporationsorschoolsinnewgranada
AT arangolievanolucia evangelizacionyprecariedadlaarquitecturareligiosasincorporacionesniacademiasenlanuevagranada
AT arangolievanolucia evangelisationetprecaritelarchitecturereligieusesansguildesniacademiesdanslanouvellegrenade
_version_ 1709645501941415936
spelling oai:editorial.ucatolica.edu.co:article-892020-07-28T22:21:26Z Evangelization and precariousness : religious architecture without corporations or schools in new Granada. Evangelización y precariedad : la arquitectura religiosa sin corporaciones ni academias en la nueva Granada. Evangélisation et précarité : l’architecture religieuse sans guildes ni académies dans la nouvelle-Grenade. Arango-Liévano, Lucia Colombia 1500-1800 cultural history church of Pacho (Cundinamarca) cultural miscegenation colonial art arte colonial Colombia 1500-1800 historia cultural iglesia de Pacho (Cundinamarca) mestizaje cultural. art colonial histoire culturelle Colombie 1500-1800 église de Pacho (Cundinamarca) métissage culturel In this article the religious architecture is approached from the perspective of cultural history, in order to make a methodological contribution to the study of the processes that led to the establishment of a religious architecture in the New Granada (now Colombia), territory in which there were no formal artistic production circuits. Taking distance from a historiography based on the analysis of the form and its taxonomic classification, documentary research is favored as the main methodological tool. The culturalist reading of documents that account for the construction of the church of Pacho (Cundinamarca) contributes to the understanding of the structure of production systems in Granada territory. The text recognizes some of the main trades involved in construction (bricklayer, carpenter) and shows the hierarchical ranks within each trade that allowed the circulation of ideas and knowledge. En el presente artículo se aborda la arquitectura religiosa desde la perspectiva de una historia cultural, con el objetivo hacer un aporte metodológico al estudio de los procesos que permitieron la constitución de una arquitectura religiosa en la Nueva Granada (Colombia actual), territorio en el cual no existían circuitos oficiales de producción artística. Tomando distancia de una historiografía basada en el análisis de la forma y su clasificación taxonómica, se privilegia la investigación documental como principal herramienta metodológica. La lectura culturalista de los documentos que dan cuenta de la construcción de la iglesia de Pacho (Cundinamarca) contribuye a la comprensión de la estructura de los sistemas productivos en el territorio granadino. En el texto se reconocen algunos de los principales oficios implicados en la construcción (cantero, albañil, carpintero) y se da cuenta de los rangos jerárquicos dentro de cada oficio, los cuales permitieron la circulación de ideas y de conocimientos. Ce travail propose d’aborder le bâti religieux dans la perspective d’une histoire culturelle, dans le but de faire un apport méthodologique à l’étude de l’architecture religieuse de la Nouvelle-Grenade (Colombie actuelle), un territoire dépourvu de circuits officiels de production artistique. Eloignés d’une historiographie fondée sur l’analyse de la forme et sa classification taxonomique, nous privilégions la recherche documentaire comme principal instrument méthodologique. La lecture culturaliste des documents mettant en lumière la construction de l’église de Pacho (Cundinamarca) enrichit la compréhension de la structure des systèmes productifs du territoire grenadine. Dans cet article, nous repérons les principaux métiers du bâtiment (carriers, maçon, charpentier) et leurs échelons hiérarchiques, lesquels ont favorisé la circulation des idées et des savoir-faire. Universidad Católica de Colombia 2015-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistadearquitectura.ucatolica.edu.co/article/view/89 10.14718/RevArq.2015.17.1.8 Revista de Arquitectura; Vol. 17 No. 1 (2015): January - December; 85-91 Revista de Arquitectura (Bogotá); Vol. 17 Núm. 1 (2015): Enero - diciembre; 85-91 Revista de Arquitectura; Vol. 17 No. 1 (2015): Enero - diciembre; 85-91 Revista de Arquitectura; v. 17 n. 1 (2015): Janeiro - dezembro; 85-91 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/89/pdf-LucAra%20es https://revistadearquitectura.ucatolica.edu.co/article/view/89/961 Derechos de autor 2015 Lucia Arango-Liévano info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0