Diseño, Artesanía y Estética
This paper arises from an investigative process in which it was wanted to understand the symbolic forms developed in the job of carving, which requested, at a first stage, a process of approach and recognition to the crafstman as the center of the qualitative analysis of the systems of the stories o...
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| Formaat: | Online |
| Taal: | spa |
| Gepubliceerd in: |
Universidad Católica de Pereira
2011
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| Online toegang: | https://biblioteca.ucp.edu.co/OJS/index.php/arquetipo/article/view/480 |
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| Samenvatting: | This paper arises from an investigative process in which it was wanted to understand the symbolic forms developed in the job of carving, which requested, at a first stage, a process of approach and recognition to the crafstman as the center of the qualitative analysis of the systems of the stories of their life. Also, in a second place to know the form of the job through records that talk about the regional crafts process and its products related to the social-cultural contexts which finally condition and determine the features of the aesthetic craft object. It is proposed in this paper, the analysis of the craving, and the aesthetic forms identified in the object done by the craftsmen of Santa Rosa de Cabal, to know the forms that characterize the object, as a product, to discover the dynamics of creation, the traditions and identities that remain in time and how through the contemporary aesthetic forms the composer forms can be read. To do this, in a first stage, a general characterization of the crafts job is developed; in a second stage the aesthetic categories of the crafts are presented; and finally the relational cast that evidence the type of objects found. |
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